Description: A Chinese Landscapes Painting (Huang Binhong Signature) In the history of modern Chinese painting, there is the saying "Southern Huang and Northern Qi" - refers to Huang Binhong and Qi Baishi. "Travel on Xunjiang River" is a typical work of Binhong's old age and one of his favourite themes. His late landscape paintings have distinct artistic styles and linguistic features, which that reflected his free brushwork and disintegration of traditional panoramic landscape structures. In the picture, the scene of the returning on the bridge, presented with only a few strokes, can be said as a representative work of late style, a rare art good. 中国山水画（黄宾虹款） 在中国近现代绘画史上，有“南黄北齐”之说，北齐”指的是齐白石，南黄”说的就是黄宾虹。“浔江纪游图”是宾虹老人晚期的典型之作，也是其最喜欢表现的题材之一。他晚期山水画具有鲜明的艺术风格与语言特点，是体现其自由笔墨意蕴与解体传统全景山水结构的典范。宾虹老人通过诗意的表达与描绘，既提升山水的空间层级，又进一步拓展意境的韵味，而且更深层次地推进了笔墨的自主性与自由化的自然表达。观黄宾虹晚期山水，我们会被他百看不厌的笔墨气韵所迷醉。他借独特的画面和笔墨结构来表达他积极进取的笔墨生命力和超越红尘的个体精神气派。可以说，他晚年的山水画是最抽象的语言与自然山水形迹的浑然统一。端详此画可见其下笔老辣，用墨自由，笔头狠，且笔法多变，齐而不齐，乱又不乱，直见笔墨的最高法度。通幅作品渴笔、宿墨、枯墨、浓焦墨，点之又点，皴之又皴，擦之又擦，随性自然，又见次序节奏有度，使明清画坛以来的柔弱萎靡清淡萧疏之风一扫而空，使中国山水画获得了新的生机。画面中独桥之上归人之景，寥寥几笔使人物既见神韵又见生机盎然，足见其老到与随心所欲。可以说，此副作品为晚期风格的代表力作，不可多得的艺术佳品。 H1750 D460mm
