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清 乾隆 朱漆脱胎观音坐莲造像 (大清乾隆年制)六字三行楷书金彩款 布胎用古老传统漆塑像手工技艺。先用泥塑成胎,後用漆把麻布贴在泥胎外面;待漆乾後,反复再塗多次;最後把泥胎取空,因此又有“脱空像”之称。用这种 方法塑像不但柔和逼真,而且质地很轻,因此又称“行像”。此尊佛像端坐双莲瓣上。头带宝冠,双目微闭,胸前饰珠链,整体风格端庄典雅,细部纹饰刻化精准,通体髹朱漆红润,有雍容典雅之感。 Qing, A Fine and Rare Lacquer Painted Clay-Linen-Bodiless Figure of Guanyin The Guanyin was first molded with clay and then coated with lacquered linen, when the figure was parched, a hole is drilled at the bottom of the mold and then immersed into water to dissolve the clay body. Then polish the hardened fabric and coat it with layers of lacquer to make bodiless lacquer statute. Shown seated on a double lotus base, wearing loose robes draped with a shawl that falls in graceful folds around the body with jeweled necklaces, the broad face with gentle downcast expression, applied overall with a rich red-colored lacquer. Height: 15⅝ in (39.7 cm)