diameter2.8in,
This bowl is light and handsome, with delicate texture, clear glaze, sparse and even picture layout, elegant and soft colors, and harmonious proportion of utensils. The beauty of lines can be compared with Ming Yongle and Chenghua porcelain, which are famous for their fine and beautiful appearance. The white glaze on the inner wall is warm, and the blue and white hook on the outer wall is painted with the pattern of cloud bat. The green material is elegant, and the glaze is filled with red, green, orange and yellow colors. This kind of small bowl with patterns and shapes is a unique work of Yongzheng imperial kiln. There are two kinds of colors, i.e. fighting color and blue and white red color. It shows the extraordinary charm of Yongzheng official kiln everywhere. It's a rare collection of treasures. It's even more precious. The shape and pattern of the bowl are the same as those of this product, but the size is slightly larger. "Bat" and "Fu" are homonymous, and have the meaning of longevity. "Baopuzi" says: "a thousand year old bat, like white snow, hangs upside down when it is collected, and its brain is heavy. It's a long-lived thing to have and not to take. " Bats have become the most widely used auspicious patterns in Chinese traditional utensils. With red color painting, it is homophonic "Hong Fu Qi Tian". Throughout the development of Chinese decoration, different aesthetic requirements make arts and crafts decoration fine, rich in forms and different styles, but the same is the wish of auspicious thoughts evolved into good luck. The auspicious concept mainly includes: taking good fortune to welcome good fortune, expelling evil spirits and avoiding evil spirits, longevity of many children, promotion and prosperity, happiness and so on. Especially in the Qing Dynasty, this kind of decoration phenomenon was more popular, reaching the point of "the picture must be intentional, the meaning must be auspicious", and this concept just accords with the consciousness of "seeking perfection and perfection" emphasized by traditional Chinese aesthetics. This pair of small cups of colorful cloud bats is a picture of this place. The red bats are flying and the auspicious clouds are everywhere. It's a sign that thousands of clouds are flying together. Hong Fu is as lucky as heaven. Among all the fighting color porcelain, the Chenghua fighting color ware in Ming Dynasty is the most treasured. In Ming Dynasty, there was a saying that "a pair of wine cups in Chengyao is worth 100 gold". One of the reasons is that the color has to be fired twice, which increases the cost of firing. At the same time, the damage rate is also high, so only official kilns will not be made locally. It is clear from the fragments unearthed at Zhushan official kiln site of Ming Dynasty in Jingdezhen that at that time, the requirements of the official kiln on porcelain were very strict, a little wrong, the color burned out or the shape of the ware was not correct, so they were all destroyed. In Qing Dynasty, Yongzheng and Qianlong were the most outstanding, and they liked to imitate, but they were unique. In the Ming Dynasty, the color of blue and white was imported in the early stage, and the color was thick and dark with black spots; in the late stage, it was produced in Leping County, Raozhou Prefecture, Jiangxi Province. This kind of blue and white hair was light and elegant, with good transparency, and it was very suitable for making elegant and delicate small porcelain. The blue and white materials of Yong and Qian dynasties are Zhejiang materials. The blue and white materials have distinct color layers and rich color variations. Therefore, in the art market, the three generations of the Qing Dynasty's color fighting tools have been competing for collection by international antique collectors.