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Each scalloped dish moulded to the cavetto with tulip-shaped reserves painted with floral sprays, the well decorated in iron-red and gold with figures on a boat on a secluded lake amongst mountains and trees, the reverse painted with two floral sprays,?age wear, one with fritting, hairline crack to the well, minor rim chips, gilt loss, the other with fritting, restoration, gilt loss, minor rim chips?the larger 27,5cm diameter?(2)?“Melk en Bloed”, translating to “Milk and Blood,” is a Dutch term given to export porcelain decorated in iron-red and gold on a white ground. These wares were imported to the Netherlands for a short period during the reign of Emperor Kangxi, 1662 – 1722. Milk and Blood was the forerunner of Chinese Imari which was created with the addition of underglaze-blue, a design adopted from the Japanese. Not only did Milk and Blood describe the colour of the porcelain, but also related to a Dutch and low-German idiom that describes a radiant and healthy-looking face as “a face like milk and blood”, echoing the bold appearance of the porcelain.