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STAND, the top with a main gilded framed panel with an ice break turquoise ground displaying various precious auspicious symbols and displays of native flora, upon a honeycomb style ground, the verso with finely executed scrolling lotus decoration, one scroll end with a removable drawer for scroll or scholars items. the stand completely mounted with gilded metal framework, 42cm wide x 26cm deep x 7.5cm high. Provenance: From one private Ex London collection and purchased from Phil Dubeys art, Baltimore approx 15 years ago. Notes for similar examples. Qiette, B. ed. Cloisonné: Chinese Enamels from the Yuan, Ming, and Qing Dynasties, Bard Graduate Centre, New York, 2011, p. 120 Tse Bartholomew, T. Hidden Meanings in Chinese Art, Asian Art Museum, San Francisco, 2006, 7.5, p. 171 Tse Bartholomew, T. op. cit. 8.27, p. 248 Brinker, H and Lutz, A. Chinese Cloisonné - The Pierre Uldry Collection, The Asia Society Galleries, New York, 1989, p. 122 Chinese Cloisonné Enamel- Art Sous Les Arcades, Asian Art Singapore Pte Ltd, Singapore, 2009, no. 29; The Exhibition of Chinese Bronze and Cloisonné Enamel Wares from the Pierre Mercier and Overseas Collections, Poly Art Museum, Beijing, 2011, no. 87, p. 178 Qiette, B. ed. op. cit. fig. 6.26, p. 117 and no. 67, p. 257 Brinker, H and Lutz, A. op. cit. no. 174 Compendium of Collection in the Palace Museum, Enamels 4- Cloisonné in the Qing Dynasties (1644-1911), The Forbidden City Publishing House, Beijing, 2011, no. 113