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18th Century Qing Dynasty Chinese large silk embroidery Buddhist Thangka. Vertical rectangular panel, masterly seemed with metallic silk thread portraying Amoghasiddhi Buddha, the patriarch of the fifth of the Five Families of Transcendent, or Symbolic Buddha's. Depicting Amoghasiddhi dressed in red monastic robes, without ornaments known as nirmanakaya appearance. Serene face and pendulous earlobes beneath five pointed crown. Right chest bared, with hand raised at heart level performing Abhaya Mudra, and left hand resting upward on the lap performing Dhyana Mudra. Seated in vajra position with right over left leg, both faced upward; upon a moon shaped lotus blooms throne, with all manifestation deities surrounding the chakra. These compositions belong to painting sets of five or more compositions that depict all of the deities described in the mandalas of the Vairochana, Tattvasamgraha or Sarvadurgati Parishodhana Tantras of the Charya and Yoga classifications of Tantric literature. Enclosed within orange-red floral square band, before the royal-yellow borders terminating the vertical wide line beneath. All set against interlocking pattern blue silk ground.