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全球拍卖首页 > Bonhams > 东南亚、印度及喜马拉雅艺术 > Lot 317
A CAST AND REPOUSSÉ GILT COPPER ALLOY SHRINE TO MANJUVAJRA NEPAL, 17TH/18TH CENTURY
美国 北京时间
2021年03月17日 开拍 / 2021年03月15日 截止委托
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A CAST AND REPOUSSé GILT COPPER ALLOY SHRINE TO MANJUVAJRA NEPAL, 17TH/18TH CENTURY Himalayan Art Resources item no.16920 8 3/8 in. (21.3 cm) high 注脚 尼泊爾 十七/十八世紀 銅鎏金文殊金剛像This distinctive shrine invokes Manjuvajra, an esoteric form of Manjushri, the Bodhisattva of Transcendent Wisdom. With three heads and six arms, he crosses his principal hands at the chest, embracing his consort Prajna, and signalling a perfect union of Wisdom and Compassion. Both male and female deities brandish long swords in their top right hands, creating a powerful image of their ability to dispel ignorance and delusion. Manjuvajra's remaining three arms hold a lotus, a bow, and an arrow, common attributes for wisdom deities. Manjuvajra's physical appearance is described in the Nishpannayogavali ('Garland of Perfection Yoga'), a Vajrayana iconographical treatise from the Pala period. The earliest known sculptures of the deity date to the 11th/12th century: see two Pala examples preserved in the Metropolitan Museum of Art, including a black stone stele (57.51.6) and a small bronze figure (L.2017.31.1). The shrine's pedestal has an ornate fa?ade symbolizing Manjuvajra rising from the ocean of existence on the 'sun disc' of a lotus. A robust central stem bifurcates with vines encircling a pair of lions, which are often shown guarding the thrones of Buddhist deities. The formal depiction of both motifs can be traced back to the Pala art of medieval Northeastern India, testifying to Nepalese art's remarkable conservatism. For example, compare the treatment of the vines or the two outward-facing lions with their tails whipped over their backs with several Pala stone sculptures published in Huntington, Leaves from the Bodhi Tree, Dayton, 1990, nos.4, 6, 13, 15 & 36-8. Similar elements were incorporated into the base of a large gilt bronze Buddha from the Khasa Malla kingdom sold at Bonhams, New York, 19 March 2018, lot 3019. A gilt bronze figure of Chakrasamvara, dated 1709, has a similar compact scale, crown type, and bangles (von Schroeder, Indo-Tibetan Bronzes, Hong Kong, 1981, p.386, no.105B). Elaborate flaming repoussé aureoles are common to Nepalese sculptures of the 17th and 18th century (ibid., pp.390-1, nos.107B-D). Also see a contemporaneous but smaller bronze of Manjuvajra with consort preserved in the Norton Simon Museum of Art, Pasadena (Pal, Art from the Himalayas and China, New Haven, 2003, p.99, no.64). Provenance Ex-Private French Collection, 1980s

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