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全球拍卖首页 > Sotheby's UK > 缅甸已故伯爵夫人蒙巴顿的家族收藏 > Lot 109
Portrait of Sir Norton Knatchbull, 1st Bt. (1601-1684), full-length, wearing a black tunic and white collar
英国 北京时间
2021年03月24日 开拍 / 2021年03月22日 截止委托
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Description Samuel van Hoogstraten Dordrecht 1627 - 1678 Portrait of Sir Norton Knatchbull, 1st Bt. (1601-1684), full-length, wearing a black tunic and white collar signed, dated, and inscribed lower left: AET65 1667 / SvH; and later inscribed: Sr Norton Knatchbull Bar / ob 1684 oil on canvas 208.5 x 131.5 cm. Condition Report The canvas is lined, and the paint surface is relatively clean with a yellowed varnish. Inspection under ultraviolet light reveals a streaky, fluorescing varnish underneath which it is impossible to discern any intervention. There may be small spots of old retouching in the flesh tones but this is difficult to read underneath the varnish. The painting appears in overall very good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." Literature Inventory, 1749, in the hall; Catalogue of Portraits,?1920, no. 20; A. Bolton, ‘Mersham le Hatch’,?Country Life, 26 March 1921, photographed in the dining room, p. 371; A. Tipping,?English Homes, Late Georgian, 1760-1820, London 1926, in situ, p. 131;? C. Hussey, English Country Houses, Mid Georgian 1760-1800, London 1984, in situ, p.?102; H. Knatchbull-Hugessen,?Kentish Family,?London?1960, p. 56,?reproduced opposite p. 17; E. Waterhouse,?The Dictionary of 16th and 17th Century British Portraiture,?Woodbridge?1988,?p. 131; W. Sumowski, Gem?lde der Rembrandt-Schüler, Landau/Pfalz 1983, vol. II, p. 1299, cat. no. 865, reproduced p. 1348; M. Roscam Abbing, 'Jan van Hoogstraten: Leerling van Rembrandt,' in Kroniek van het Rembrandthuis, 41, no. 1, 1989, cat.?no. 31; C. Brusati, Artifice & Illusion.?The art and writing of Samuel van Hoogstraten, Chicago & London 1995, pp. 97-98, 350, cat. no. 21, reproduced p. 101, fig. 63. Notes This is Hoogstraten's most significant portrait?painted in England. Indeed Sir Norton would appear to one of the artist's most important patrons. He not only commissioned this commanding full length but also a three-quarter length of his son?Thomas (later 3rd Bt.)1 as well as "a large picture of a Painter Hoogstraten?& his?wife" and "One large Perspective Piece" both recorded in the inventory of Mersham Le Hatch taken in 1749. The latter was presumably a trompe l'?il like that commissioned?by Thomas Povey which is now at Dyrham Park (National Trust).2 The sitter was the eldest son of Thomas Knatchbull of Maidstone (see lot 104) and his wife Eleanor, daughter of John Astley. Educated at Eton and St. John's College, Cambridge, he entered the Middle Temple in 1624. In 1636 he succeeded to the estates of his uncle, Sir Norton Knatchbull (see lot 105). In 1639 he was elected M.P. for New Romney and made a baronet in 1641. Though originally an opponent of Charles I, he was fined by the House of Commons for neglecting his services to the house, and by his delay in taking the Covenant he showed his distaste for militant Presbyterianism. He was a noted scholar with a substantial library and his?Animadversiones in libros novi testamenti, published in 1659, was much admired and reprinted both in England and on the Continent.?Evelyn, who visited Sir Thomas Scott of Scott’s Hall in 1663, mention Sir Norton as ‘a worthy person and learned critic, especially in Greek and Latin’. In 1660 Sir Norton was re-elected with his son to New Romney on condition that they both became freemen of the borough. He was elected again?in 1661 and continued to be active in the Cavalier Parliament. He served on thirty-three committees, including the committee set up to amend habeas corpus. In 1673 he served on?the committee to prevent abuses at elections. From 1660-80 he was commissioner for assessment in Kent, took responsibility for Denge and Walland marshes in Kent in?1660, and?he was commissioner for recusants in 1675. By his first wife, Dorothy, daughter of Thomas Westrow, Grocer?of London, whom he married in 1630, he had three sons and ten daughters. In 1662 he married Dorothy, daughter of his neighbour Sir Robert Honywood of Charing in Kent, and widow of Sir Edward Steward. Samuel van Hoogstraten was a pupil of Rembrandt, and worked in England between?1662 and 1667. This is a rare example of his English period portraiture. 1 https://rkd.nl/en/explore/images/119894 2 https://artuk.org/discover/artworks/a-view-through-a-house-99855

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拍品估价：30,000 - 50,000 英镑 起拍价格：30,000 英镑  买家佣金：
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