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Pair of angels
比利时 北京时间
2021年04月19日 开拍
拍品描述 翻译
Description Flanders, Mathieu Van Beveren (1630-1690), Hi studio. Ca. 1680 Pair of angels Carved oakwood, flat backs. Standing, each with an uncovered shoulder, one draped with a tunic and a coat that folds back on the front forming voluminous folds on the sides, the other leaning slightly with a bare chest, wearing a fringed coat held tightly; similar faces with large eyes and lined upper eyelids, long, straight noses, and smiles; curly, separate locks of hair falling on the shoulders, some shell-shaped. Provenance: ? - Sale, Sloans & Kenyon, Maryland, United States, 2015 -?Art market, United States -?Art gallery, Brussels, 2018 (some restoration and chips) Mathieu van Beveren's refined work can be recognized in these two beautiful angels, likely from major confessionals: the characters' elegant stance, long faces with retained expressions and curly hair. Van Beveren was born in Antwerp and trained by Pierre Verbruggen the Elder ca. 1645. He worked with stone, wood, terra cotta and ivory. He participated in creating the rood screen sculptures for Notre-Dame de Termonde church between 1659-1666 under the direction of Quellin the Elder. The caryatids on the churchwardens' bench at this same church are also attributed to him, and said to have been done in collaboration with Quellin the Younger. Van Beveren seems to have sought a more classical style in his compositions. With his knowledge, he trained many students, including Jan Baptist Santvoort, Anthoni de Winter, Jan Baptist Doms, Peeter Libot and Petrus Bouttats. Many of his works are conserved in private collections or at the Royal Museums of art and history in Brussels, such as an ivory pietà (inv. 1754). Works consulted: P. Philippot, L'architecture religieuse et la sculpture baroques dans les Pays-Bas Méridionaux et la Principauté de Liège (1600-1770), Mardaga, 2003, p.913-917. C. Theuerkauff,?""Anmerkungen zum Werk des Antwerpener Bildhauers Matthieu van Beveren (um 1630- 1690)"" dans Oud Holland , 1975, Vol. 89, No. 1 (1975), p. 19-62. C. Theuerkauff, "" Addenda to the Small-Scale Sculpture of Matthieu van Beveren of Antwerp"", dans Metropolitan Museum Journal, n°23, 1988, p. 125-147. Expert: Cabinet Fligny H : 130 cm Width : 40 cm and 44 cm

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