| 中文版 English

具体要求

其它要求

-
关闭
Adrien-Jean Le Mayeur de Merpres (1880-1958) Two Women Arranging Flowers in The Interior
香港 北京时间
2021年04月22日 开拍 / 2021年04月20日 截止委托
拍品描述 翻译
Adrien-Jean Le Mayeur de Merpres (1880-1958) Two Women Arranging Flowers in The Interior circa 1950signed; inscribed in the artist's hand Mc Rowan; M I van Bueren on the reverse oil on canvas in its original hand-carved Balinese frame75.5 by 91.5 cm.29 7/8 by 36 1/4 in. 注脚 The authenticity of this work has been confirmed by Jop Ubbens, co-author of Adrien Jean Le Mayeur de Merprès, 1880-1958: Painter-Traveller. This work will be included in the Le Mayeur Archive (LMA).ProvenanceArtist Studio, BaliAcquired directly from the above in the early to mid-1950sPrivate Collection of Isaac van Bueren, NetherlandsPrivate Collection, Dublin, Ireland (by descent from the above)*Please note that this lot is located in Hong Kong. Buyer is responsible to arrange shipping from present location of lot to buyer's desired destination. To enquire shipping quote, please contact [email?protected].You will understand my paintings wherever you may see them. For everything in this little paradise which I created for myself was made to be painted. —Adrien Jean Le Mayeur de Merprès This is an intimate painting of Le Mayeur's home, his inner sanctum. There can be no doubt whatsoever of the artist's deep love for his "little paradise" and his home, Bali—the Island of the Gods. Known for his poetic depictions of traditional Balinese way of life, Adrien Jean Le Mayeur de Merprès remains one of the most celebrated and famous foreign artists who settled in Indonesia. Born in 1880 to an aristocratic Belgian family, Le Mayeur travelled the world in search of light and beauty. He travelled through Venice, India, Istanbul, Madagascar, and Tahiti, finally arriving in Bali in 1932 and deciding to settle there at the age of 52. He had fallen in love with the island, the people, and culture; more importantly, he had met and was to marry his muse, the famous legong dancer Ni Pollok. Instantly inspired, he "put himself to work immediately", dedicating the remainder of his life to capturing the beauty of his adopted home and allowing nothing to distract him. Le Mayeur's first exhibition in Asia was held at the YMCA Singapore between February and March 1933. A review of the exhibition from The Straits Time reads: Mr. A.J. Le Mayeur ...has succeeded in drenching the YMCA with sunlight in an exhibition of his paintings which opens today for a week ...and after eight months amidst these naturally artistic people, he could not help but bring away canvas after canvas flooded with the warmth of this sun-kissed corner of the globe...That he has done so with such rich touch...take his easel out into the light and air rather than to work in a studio, his work, if it were possible, exhales the rich breadth of the tropical exterior. He finds stunning colour in the shadows. Only a handful of interior scenes by the artist exist—making them extremely rare and desirable. Viewing the work is akin to being welcomed by the artist and his wife in their home. As we enter, we see the warm surroundings decorated with jewelled treasures and filled with images-within-images; paintings that include representations of other painted or sculpted objects. Le Mayeur was gifted at discovering and distilling "beautiful colour in the shadows". Even within this shaded inner sanctum filled with beauty, art, and knowledge, the artist still spins sunlight and colour from his brush. The perspective draws the eye to two female figures (Ni Pollok replicated) as they lean towards each other, arranging a bouquet of tropical garden flowers on a low table. Sunlight bounces off the windowsill, bathing the figures in a golden hue contrasting with the room's deep burgundy and luscious reds. True to his credo of being an impressionist, Le Mayeur writes in a letter dated 1947 a very pointed description of how he paints interior scenes: I put my easel in the hut; a sunbeam penetrates the window, caressing Pollok's shoulders while she is arranging flowers on the table —Letter nr. 19, Bali, 10 April 1947 While subject, light, and colour are quintessentially Balinese in spirit, Le Mayeur's painterly brushwork has its foundations in impressionist spontaneity. Disciplined symmetry and perspective hark back to his Belgian and Dutch predecessors. Vermeer always sets the tiles of his scenes diagonally to the picture plane to intensify the illusion of spatial depth, showcasing the artist's command of perspective and creating a balanced grid to illustrate richly decorated environments. The red-tiled floor of this traditional Balinese house or Joglo is painted similarly, with the window on the left as a source of light. Bali's national flower, the plumeria, is scattered like offerings on the tiles in the foreground before the two kneeling ladies. A traditional woven rattan basket containing brightly coloured flowers lies on the floor. Added to this sense of intoxicating fecundity are perfumed blossoms suspended from intricately carved golden beams. All our senses are heightened and awakened. The original wooden frame, fashioned by Le Mayeur's in-house carpenter, adds to the trompe-l'?il effect of being inside the room and within the picture space. The carved floral motifs of the frame depicting lotus flowers in full bloom resonate with the finely carved pillars and beams of the painted Joglo. The present work masterfully displays the intimate setting of the artist's home, which today is preserved as a State Museum featuring about 100 of his works, donated to Indonesia by Le Mayeur and Ni Pollok. Two Women Arranging Flowers in the Interior has been with the same family since it was acquired directly from Ni Pollok and Le Mayeur by Isaac Van Bueren while he was living in Batavia in the mid-1940s to the early 1950s.

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
100
50
500
100
1,000
200
2,000
250
5,000
500
10,000
1,000
20,000
2,000
50,000
5,000
100,000
10,000
+

价格信息

拍品估价:1,800,000 - 2,800,000 港币 起拍价格:1,800,000 港币  买家佣金:
落槌价 佣金比率
0 - 100,000 27.50% + VAT
100,000 - 5,000,000 25.00% + VAT
5,000,000 - 以上 20.00% + VAT
服务费:平台服务费为成交总金额(含佣金)的3%

拍卖公司

Bonhams HK
地址: Suite 2001, One Pacific Place 88 Queensway, Admiralty Hong Kong
邮编: 0
向卖家提问

小贴士

1. 一般拍卖公司接受的付款方式有以下几种:
现金、信用卡、转账汇款、银行支票、个人支票以及PayPal支付。
使用PayPal支付时,请留意需要在账单金额的基础上额外加上 4% 的手续费。
2. 信用卡的种类有以下几种:
3. 转账汇款时请注意银行手续费
海外拍企会要求足额到账,所以请您在汇款时,选择足额到账,或在汇款金额的基础上加上汇款手续费(如25美金)。
4. 国际转账汇款时, 您需要知道海外拍卖行以下汇款信息:
* 收款人名称
* 收款人地址
* 收款人银行账号
* 收款银行国际编码(8位字母数字组合,必填项, 如: BFKKAT2K)
* 收款银行清算码(9位数字组合,选填项)
* 收款银行名称
* 收款银行地址
5. 运输相关事项
有的海外拍卖行会替您安排和协调运输, 您只需要支付相关的运费及保险费(如您需要)即可;有的海外拍卖行会推荐几家长期合作的运输公司, 这些运输公司有着良好的信誉和高质量的工作效率,您大可放心。您只需要提供您的收货地址, 竞得拍品账单。 运输公司会根据您提供的信息给您报价, 您可以在其中选择最优的报价者来承担运输任务。然后就是付款了, 信用卡是最常用的支付手段, 当然还有其他像PayPal,转账等。
6. 进口通关可能出现的关税
国际运送的包裹在进口清关过程中如需支付关税,需由包裹接受人(即买家)自行承担。 征收标准:具体征收标准和额度以海关通知和解释为准。
7. 禁拍拍品
海外拍卖会可能会出现中国法律禁止交易的物品,如枪支、管制刀具、象牙、犀角等;中国买家不得通过本平台参与上述物品的拍卖活动;任何情形下,买家均须对自己的竞拍行为独立承担责任。
服务热线:400-608-1178
查看全部小贴士