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J?LIO RESENDE, ?leo sobre tela, 164 x 170 cm.
葡萄牙 北京时间
2021年05月12日 开拍 / 2021年05月10日 截止委托
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Description JúLIO RESENDE (1917-2011) "Figuras de Viana do Alentejo" óleo sobre tela Assinado e datado de 1951 Dim. aprox.: 164 x 170 cm. Restaurado e reentelado. Verso com etiquetas de participa??o das seguintes exposi??es: Exposi??o Retrospectiva de Júlio Resende, Museu Nacional de Soares dos Reis - Centro de Arte Contemporanea; Exposi??o da Arte e da Vida Portuguesa, Comemora??es do IV Centenário do Falecimento de S. Francisco Xavier, Goa, 1952; e Exposi??o Resende, Matosinhos, 2001 (n?o ilustrado). Esta obra vem ilustrada in: Júlio Resende - A Arte como / vida", Civiliza??o, 1989, pág. 50. Referência no catálogo a esta pintura (autoria de Júlio Resende): "No regresso de Paris, o isolamento na planície sem fim. Período de reformula??o dos dados possíveis. A partir de quê?... Pergunta sem resposta. Diante de mim o homem e um horizonte interminável. Procuro libertar-me de tudo o que terá sido a recente experiência de Paris e decido-me por uma disciplina que me é acenada pela natureza geo-humana do Alentejo. A multidimensionalidade da linha recta torna-se uma espécie de obsess?o. // O largo da vila, os homens e os animais submetem-se solidariamente a uma transmuta??o. A realidade "outra" ... Esta era a da disciplina discursiva que se me impunha e à qual me submeti por dois anos, procurando reprimir toda a atitude institiva." Condition Report JúLIO RESENDE (1917-2011) "Figures from Viana do Alentejo" Oil on canvas Signed and dated 1951 Dim. approx .: 164 x 170 cm. Restored and re-entellated. Verse with participation tags for the following exhibitions: Retrospective Exhibition by Júlio Resende, Soares dos Reis National Museum - Contemporary Art Center; Exhibition of Portuguese Art and Life, Commemorations of the IV Centenary of the Death of S. Francisco Xavier, Goa, 1952; and Resende Exhibition, Matosinhos, 2001 (not illustrated). This work is illustrated in: Júlio Resende - Art as / life ", Civiliza??o, 1989, p. 50. Reference in the catalog to this painting (authored by Júlio Resende ): "On the return from Paris, isolation on the endless plain. Period of reformulation of possible data. From what? ... Question without answer. Before me, man and an endless horizon. I try to free myself from all that was the recent experience of Paris and I decide for a discipline that is beckoned by the geo-human nature of the Alentejo. The multidimensionality of the straight line becomes a kind of obsession. // The village square, men and animals undergo a transmutation in solidarity. The "other" reality ... This was that of the discursive discipline that was imposed on me and to which I submitted myself for two years, trying to repress the whole institutional attitude. " The multidimensionality of the straight line becomes a kind of obsession. // The village square, men and animals undergo a transmutation in solidarity. The "other" reality ... This was that of the discursive discipline that was imposed on me and to which I submitted myself for two years, trying to repress the whole institutional attitude. " The multidimensionality of the straight line becomes a kind of obsession. // The village square, men and animals undergo a transmutation in solidarity. The "other" reality ... This was that of the discursive discipline that was imposed on me and to which I submitted myself for two years, trying to repress the whole institutional attitude. " Literature Frequentou a Escola de Belas-Artes do Porto, obtendo de seguida uma bolsa do Instituto de Alta Cultura. Das inúmeras exposi??es individuais, salientam-se, três exposi??es antológicas na Funda??o Calouste Gulbenkian (1989), no Museu Nacional do Rio de Janeiro (1990), e no Leal Senado em Macau. Foi galardoado com: o Prémio Nacional da Academia de Belas-Artes; o Prémio de Artes Gráficas na Xa Bienal de Arte de S. Paulo; a medalha de Prata na Exposi??o Internacional de Bruxelas. Está representado no Museu Nacional Soares dos Reis; no Museu do Chiado; no Museu Calouste Gulbenkian; no Museu de Arte Moderna de S. Paulo; e na sede da UNESCO, em Paris. Foi membro da Academia Nacional de Belas-Artes Portuguesa e da Real Academia das Ciências, das Letras e das Belas-Artes belga. Recebeu o Grau da Ordem Militar de Santiago de Portugal e da Ordem de Mérito Civil do Rei de Espanha. He attended the School of Fine Arts of Porto, subsequently obtaining a scholarship from the Instituto de Alta Cultura. Of the countless individual exhibitions, three anthological exhibitions stand out at the Calouste Gulbenkian Foundation (1989), at the National Museum of Rio de Janeiro (1990), and at the Leal Senado in Macau. He was awarded: the National Prize of the Academy of Fine Arts; the Graphic Arts Award at the Xa S?o Paulo Art Biennial; the Silver medal at the International Exhibition in Brussels. He is represented at the Soares dos Reis National Museum; at the Chiado Museum; at the Calouste Gulbenkian Museum; at the Museum of Modern Art of S. Paulo; and at UNESCO headquarters in Paris. He was a member of the Portuguese National Academy of Fine Arts and the Royal Academy of Sciences, Letters and Belgian Fine Arts. Provenance Colec??o Professor Doutor António Ferraz Júnior e Dr. José Manuel Ferraz

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