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尺寸: 148×73cm 約9.7平尺
HK$ 90,000 - 100,000
ZHENG BANQIAO (1693-1765)
Calligraphy in running script
Hanging scroll, ink on paper
Inscribed and signed, with three seals of the artist
Dated 1748
釋文:鳳樓南面控三條,拜表郎官早渡橋。清洛曉光鋪碧簟,上陽霜葉剪紅綃。省門簪組初成列,雲路鴛鸞想退朝。寄謝殷勤九天侶,搶榆水擊各逍遙。蟬鳴官樹引行車,聞自成周赴玉除。遠取南朝貴公子,重修東觀帝王書。常時載筆窺金匱,暇日登樓到石渠。若問舊人劉子政,於今白首在南徐。
款識:書為東亭老長兄,乾隆丁卯嘉平月,板橋鄭燮。
鈐印:鄭燮(白)、丙辰進士(朱)、興化人(白)
鄭燮對於傳統書法研究精深。其小楷極為規整,頗有晉鐘繇、王羲之風韻;對於漢隸、魏碑、晉唐草書均功夫精到,尤得力于南北朝時《瘞鶴銘》摩崖刻石及宋蘇軾、黃庭堅筆意,並注重創新,從傳統中脫化出來,正如其自述所云:“創為真隸相三之法,而雜以行草。”即以分隸摻入行楷之中,間以畫法行之,從而形成了他所自稱的“六分半書”。其書體勢古樸奇崛,用筆遒勁絕俗,不落前人窠臼,別開生面,為一種獨創的古雅別致的新書體,即“六分半書”,開書法創新之先河。清蔣寶齡《墨林今話》論其書云:“板橋書隸楷參半,自稱‘六分半書’,極瘦硬之致,亦間以畫法行之。”清阮元《廣陵詩事》亦論其書雲:“少為楷法極工,自謂老人好奇,因以正書雜篆隸,又間以畫法,故波磔之中,往往有石文蘭葉。”