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清 木漆金羅漢坐像 CHINE, DYNASTIE QING (1644-1911)
法国 北京时间
2021年06月09日 开拍 / 2021年06月07日 截止委托
拍品描述 翻译
清 木漆金羅漢坐像
Hauteur totale: 67,3 cm. (26 in.)
Lot Essay The present figure of a lohan, shown seated in the posture of meditation, is a rare example of votive figures made in the complex lacquered wood technique. Attired in a simple robe consisting of an inner garment and an outer cloak, the sculpture conveys a sense of innate calmness while radiating an air of strength and deep concentration. Lohan figures, more commonly found carved in stone or wood, usually come in sets of sixteen, eighteen or a pantheon of one-hundred and even five-hundred. Generally placed along the eastern and western side walls of the main hall of worship in a temple complex, the lohan were the major disciples of Sakyamuni, the historical Buddha. Although they achieved Buddhahood, lohan remained on earth to protect and defend the faith until the advent of Maitreya, the Buddha of the Future. They are believed to have perfect wisdom and knowledge of all things, are freed from sensual desires and can give perfection to others. While lohan figures would usually hold attributes by which they can be identified, often the attributes were not integral with the sculptures, but either separately attached or made of less durable material and replaced whenever necessary. The present example bears a number of similarities with a lacquered figure included in the exhibition Splendour of Buddhist Statuaries: Chinese Buddhist Wooden Sculpture from Sung and Yuan Dynasties, National Museum of History, Taipei, 1997, front cover and pp. 38-40. This lohan figure is also reminiscent of a painted and gilded dry-lacquer sculpture of a seated lohan, in the Honolulu Academy of Arts, illustrated in Wisdom Embodied. Chinese Buddhist and Daoist Sculpture in the Metropolitan Museum of Art, New York, 2010, p. 129, fig. 93. Also compare the gilt-bronze Ming dynasty luohan illustrated in Fojiao Diaosu Mingpin Tulu (Images of Famous Buddhist Sculpture), Beijing, 1997, p. 598, no. 570. The result of Re. S. Artes, C14 test n°R 144312A-2 (14 May 2021) is consistent with the dating of the lot.

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