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Peintre Chauve devant son Chevalet (s.) , Pablo Picasso (1881 - 1973) 巴勃罗·毕加索(1881-1973)画架前秃顶的画家
英国 北京时间
2021年06月26日 开拍
拍品描述 翻译
Medium: Original Etching, Paris, 1927, on Rives paper , an unsigned impression from the book edition Edition: This comes from the book edition made on the 12th November 1931. There were a total of 340 impressions made of which 240 examples were on velinde Rives paper ( Our example). There was also a signed and numbered edition made on Van Gelder paper with wider margins in an edition of 99 Note 1: This is an etching which was made to illustrate a publication of the work by Balzac, plate 6 in the table of etchings. It consisted of 12 etchings by Picasso and a wood engraving by Georges Aubert after a drawing by Picasso. Le chef d’oeuvre inconnu can be considered Balzacs appreciation of artistic faith expressed in painting. His character is an old painter called Frenhofer who has worked for many years on a painting entitled “La belle Noiseuse” for over 10 years. The author explores the difficulties faced by the artist with his delights in the making of the work and attempts at perfection of the finished product. He also considers the complex relationship between the artist and his model. In Frenholders eyes the model he has painted on his canvas has become his lover. His friends, however, Porbus and the young Pouissin (both famous painters) see only confused colours. When Frenhofer realises that his friends do not understand or appreciate his work he burns his painting and kills himself. Picasso does not illustrate the actual story in his etchings but explore the deeper meanings behind this and the complex relationship between artist and model. It was Ambroise Vollard who asked Picasso to illustrate Balzac's text in 1926 and Albert Bernard, a friend of Vollard’s who wrote the preface to the book. The young woman portrayed in this etching seems to have a likeness to Marie-Therese. See also Zervos VII - 44 & 45, dated 1926 for drawing similar works. References: Georges Bloch, Volume I: Catalogue of the Printed Graphic Work 1904-1967 (Berne: Editions Kornfeld and Klipstein, 1971) Reference number 87 Brigette Baer, “Picasso Peintre-Graver” Volume 1 (1899 - 1931) number 128 Published by: Ambroise Vollard, Paris, 1931 – Printed by: Louis Fort, Paris Size: 245 x 325 mms (Paper size) ; 278 x 196 mms (Plate size) 原版蚀刻,巴黎,1927年作,Rives纸,未签名印记的版本 版本:这是1931年11月12日出版的一本书的版本。共有340个印模,其中240个印模在velinde Rives纸上(我们的例子),还有一个在Van Gelder纸上签名和标号的版本,边距较大,99版 备注:这个蚀刻是为了阐述说明巴尔扎克出版的作品而创作的。它由12幅毕加索的蚀刻画和一幅乔治?奥伯特的木刻画组成。 参考:乔治?布洛赫,第一卷:1904-1967年印刷图形作品目录(伯尔尼:科恩费尔德和克利普斯坦版本,1971年),参考文献标号87;布里吉特?贝尔,《毕加索画册》第一卷(1899-1931)第128号 出版:安布罗斯?沃拉德,巴黎,1931 印刷单位:路易斯?福特,巴黎 尺寸:245 x 325 毫米(纸张尺寸);278 x 196毫米(平板尺寸)

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