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A PAIR OF FIGURAL PORTE-LUMI?RES, CAST BY BARBEDIENNE, c.1860约1860年 巴贝迪安 人物铜像一对
英国 北京时间
2021年06月26日 开拍
拍品描述 翻译
H: 47.5 in / 120 cm | W: 13.5 in / 34 cm | D: 10.5 in / 26 cm Constructed in bronze, and having a patinated natural, and a highlighted gilt patination, the male and female semi- clothed figures, standing on plinth bases hold aloft flambeaux. Each figure signed by the artist and dated 1850, and further inscribed F. Barbedienne. French, Circa 1860 Literature:Armand (Fran?ois-Christoph-Amand) Toussaint (1806-1862) A pupil of the illustrious David d'Angers, he showed at the Paris Salon from 1836-1850, gaining medals of distinction, and later became professor of the école des Beaux-Arts, and was elected a Chevalier of the Légion d'Honneur in 1852. These figures were originally made in plaster and exhibited at the Salon in 1847, and the French state commissioned a pair in bronze for the élysée Palace, which were shown in 1850. Ferdinand Barbedienne Ferdinand Barbedienne and Achille Collas, who was the inventor of a machine that would mechanically reduce statues, started the F. Barbedienne foundry in Paris in 1838. At first they produced bronze reductions of antique sculptures of Greek and Roman origin. Their first contract to produce bronzes modelled by a living artist was made in 1843 when they arranged to produce the works of Francois Rude. They barely survived the revolution and financial collapse of 1848, which caused many artists and foundries to declare bankruptcy. Barbedienne actively pursued contracts with the many sculptors of Paris contracting with David D'Angers, Jean-Baptiste Clesinger, and even producing some casts for Antoine Louis Barye as well as others. Achille Collas died in 1859 leaving Ferdinand Barbedienne as the sole owner of the foundry which by that time had grown to employ over 300 workers at their workshop located at 63 Rue de Lancry in Paris. Ferdinand Barbedienne was made the President of the Reunion of Bronze Makers in 1865 a post he held until 1885. The outbreak of the Franco-Prussian war in 1870 and the shortage of raw metals caused him to have to stop making sculptures but he did receive a contract from the French government for the production of cannons which kept his foundry open. After the war he resumed his casting of sculptures and put even more effort into signing contracts with various sculptors.Barbedienne purchased 125 casting models from the late Antoine Louis Barye's sale in 1876. He set about casting and selling editions of these sculptures which was very successful, devoting an entire catalogue to these works. Ferdinand Barbedienne died on March 21 1891 and was mourned by many in the world of sculpture. It was said that he strove to the highest quality in his castings Albert Susse said of him that he was the "pride of the nation" and that he "carried the splendour of our industry so loftily to all international competitions". The running of the foundry was taken over by Gustave Leblanc, a nephew, and continued the high standards set by M. Barbedienne. The foundry set up agencies in Germany, Britain, and the United States to market their production. Leblanc actively purchased models and production rights from sculptors including Auguste Rodin and the estates of sculptures including Emmanuel Fremiet. The foundry continued under the stewardship of M. Leblanc until 1952.A copy of the Barbedienne catalogue of 1894 is in our possession, and shows these models illustrated, and costing the equivalent value of two years salary of a professional man - a very considerable sum. Literature; Benezit Dictionary of Artists, Volume 13. 青铜材质,色调古朴自然,镀金装饰较为夺目,雕塑男女半裸着装,站立在底座上,手里高高地举着火把。每个铜像上都有艺术家的签名,签名时间可以追溯到1850年,后来又在铜像上刻上了F. Barbedienne的名字。 法语 约1860年 文献:费迪南德BARBEDIENNE 费迪南德BARBEDIENNE和阿希尔?科拉斯,谁是一台机器,将机械减少雕像的发明者,开始在巴黎F. BARBEDIENNE铸造厂1838年开始,他们生产的希腊和罗马起源的仿古雕塑青铜减少。他们的第一份生产由现役艺术家制作的青铜器的合同于1843年签订,当时他们安排生产弗朗索瓦?鲁德的作品。他们几乎没有幸免于1848年的革命和金融崩溃,这场革命使许多艺术家和铸造厂宣布破产。Barbedienne积极与巴黎的许多雕塑家签订合同,与David D'Angers,Jean-Baptiste Clesinger签订合同,甚至为Antoine Louis Barye和其他演员制作一些演员。 阿基里?科拉斯(Achille Collas)于1859年去世,使费迪南德?巴尔贝迪安(Ferdinand Barbedienne)成为铸造厂的唯一所有者,该铸造厂在当时位于巴黎兰克里(Rue de Lancry)63号的厂房中雇用了300多名工人。费迪南德?巴尔贝迪安(Ferdinand Barbedienne)在1865年被任命为青铜制造者团聚主席,直到1885年。他在1870年爆发普法战争和原材料短缺,使他不得不停止制造雕塑,但他确实收到了雕塑。法国政府的大炮生产合同,使他的铸造厂保持开放状态。战后,他恢复了雕塑的铸造,并更加努力地与各种雕塑家签订了合同。巴贝迪安(Barbedienne)在1876年安托万?路易?巴耶(Antoine Louis Barye)已故的拍卖行中购买了125个铸造模型。 ,将整个目录专门用于这些作品。费迪南德?巴贝迪安(Ferdinand Barbedienne)于1891年3月21日去世,在雕塑界受到许多人的哀悼。据说他竭力追求最高质量的铸件。阿尔伯特?苏塞(Albert Susse)说他是“国家的骄傲”,他“在所有国际比赛中如此崇高地承载着我们行业的辉煌”。侄子古斯塔夫?勒布朗(Gustave Leblanc)接管了铸造厂的经营,并继承了巴贝迪安(M. Barbedienne)设定的高标准。铸造厂在德国,英国和美国设立了代理商,以销售其产品。勒布朗积极从包括奥古斯特?罗丹(Auguste Rodin)在内的雕塑家和包括伊曼纽尔?弗雷米(Emmanuel Fremiet)在内的雕塑庄园中购买了模型和生产权。铸造厂在M.Leblanc的领导下一直持续到1952年。我们拥有1894年Barbedienne目录的副本,其中显示了这些模型,并花费了相当于一名专业人士两年工资的价值-相当可观的一笔款项。 文学; 贝内兹特艺术家词典,第13卷。 (中文翻译仅供参考,描述以英文为准)

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