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A superb and rare Guan-type ovoid vase, Seal mark and period of Qianlong | 清乾隆 仿官釉闊口瓶 《大清乾隆年製》款
美国 北京时间
2021年09月21日 开拍 / 2021年09月19日 截止委托
拍品描述 翻译
A superb and rare Guan-type ovoid vase
Seal mark and period of Qianlong
清乾隆 仿官釉闊口瓶 《大清乾隆年製》款
the tapered foot gently swelling into an olive-shaped body narrowing only slightly in the upward sweep of the neck, entirely covered in an unctuous pale blue glaze suffused with a network of craquelure, the foot dressed in a dark brown wash, the slightly recessed base with a six-character seal mark in underglaze blue
Height 5? in., 14 cm Collection of Solomon Solis Carvalho (1856-1942).
American Art Association, New York, 24th February-2nd March 1914, lot 622.
Collection of Simon F. Rothschild (1861-1936).
Collection of Walter N. Rothschild (1892-1960), and thence by descent.
來源
Solomon Solis Carvalho (1856-1942) 收藏
美國藝術聯盟,紐約,1914年2月24至3月2日,編號622
Simon F. Rothschild (1861-1936) 收藏
Walter N. Rothschild (1892-1960) 收藏,此後家族傳承 In overall good condition with expected glaze lines consistent with type.
For more information on and additional videos for this lot, please contact 
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.Since its inception in the Southern Song dynasty (1127-1279), Guan ('official') ware has been one of the most coveted types of Chinese ceramics. The Qianlong Emperor (r. 1736-1795) was a great admirer of Guan wares and composed numerous poems lauding its beauty. Some of these poems were even inscribed onto Guan ceramics from his personal collection, as seen on two Southern Song bottle vases each inscribed on the base with an Imperial poem, now preserved in the National Palace Museum, Taipei, and included in the exhibition Obtaining Refined Enjoyment: The Qianlong Emperor's Taste in Ceramics, National Palace Museum, Taipei, 2012, cat. nos 30 and 31.  
Aside from collecting and appreciating Song dynasty Guan wares, the Qianlong Emperor also commissioned Guan-type ceramics at the Imperial kilns in Jingdezhen, imitating the glaze and overall appearance of early Song vessels, but in 18th century forms and techniques. The present vase is a superb example of wares from this group. The vessel's unctuous, bluish glaze suffused with delicate golden-brown crackles faithfully imitates Guan glazes of the Song dynasty. Its white porcelain foot is stained brown to mimic the characteristic brown foot of Song stonewares, a feature derived from the purplish clay used during the Song period. The vase's rare and elegant form was devised in the Kangxi period (1662-1722), and was revived with minor variations in proportion during the Qianlong reign. Two similar Kangxi mark and period celadon-glazed vases from the Qing Court Collection, one with craquelure and the other without, are in the Palace Museum, Beijing, illustrated in The Complete Collection of Treasures of the Palace Museum. Monochrome Porcelain, Hong Kong, 1999, pls 127 and 129; another celadon-glazed Kangxi mark and period vase is in the National Palace Museum, Taipei (acc. no. 中-瓷-005559-N000000000). For Southern Song precedents of Guan vases, see a pear-shaped example in the Metropolitan Museum of Art, New York (acc. no. 26.292.81). Ano

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