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SAKTIBURMAN(B.1935)VolD'Oiseaux
美国 北京时间
2021年09月22日 开拍 / 2021年09月20日 截止委托
拍品描述 翻译
SAKTI BURMAN (B. 1935)
Vol D'Oiseaux
signed 'SAKTI BURMAN' (lower right); further titled signed and dated '"VOL D'OISEAUX" / SAKTI BURMAN / 1973' and bearing Nuovo Sagittario gallery label (on the reverse)
oil on canvas
23 ? x 28 ? in. (59.7 x 73 cm.)
Painted in 1973
Acquired directly from the artist, Paris
拍品专文 On his graduation from the Government College of Art and Craft, Calcutta in 1956, Sakti Burman moved to Paris to study at école Nationale des Beaux Arts, and began his exploration of the great cities of Europe. On his first visit to Italy in 1958, his encounter with the frescoes of Giotto, Piero de la Francesca and Simone Martini had a profound effect on the artist, inspiring him to incorporate their sense of monumentality and distinctive textures in his own work. By the mid-1960s, Burman had perfected a unique visual language that combined marbling and pointillism to imbue his compositions with fresco-like surfaces. It was an accidental encounter, however, that led to the discovery of this technique, after water spilled on one of his paintings and mixed with the oil. “Instead of just painting over it once it had dried, he continued to experiment, and liked the discolouration – or Sakti might prefer colouration – this resulted in, an ode to a passing age and a sense of gentle ageing that suited his sensibilities. The mural-like effect appeared first within the figures; it would later become part of the background as well” (K. Singh, ‘All Aboard the Art of Sakti Burman’s Dreamworld’, Sakti Burman, The Wonder of It All, Mumbai, 2012, p. 49). Burman’s works from the late 1960s and 70s are truly cosmopolitan, a reflection of his own experiences that brought his Indian artistic sensibilities in contact with the international aesthetics of the time. Drawing heavily on dreams, fantasy and mythology, the artist is known for dramatic and surreal compositions that are just as influenced by Renaissance frescoes as they are by classical Indian painting and sculpture. In his 1966 painting Last Supper (lot 664), Burman paints Christ and his disciples as if they were the ten heads of the demon Ravana from the Hindu epic Ramayana. Created a few years later, Untitled (Harlequin with Bird) and Vol D'Oiseaux (lots 616 and 617) draw equally from Italian Commedia dell'arte, the works of Matisse and Cézanne and images of Burman and his family members. Transporting his viewers to fantastic realms through his iridescent canvases, Burman has been dubbed an ‘alchemist of dreams’. His paintings occupy a world of their own with their distinctive and laborious brushwork creating human and animal figures that seem suspended between the spheres of allegory and reality.

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