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SAYEDHAIDERRAZA(1922-2016)Untitled(VillageauCielOrange)
美国 北京时间
2021年09月22日 开拍 / 2021年09月20日 截止委托
拍品描述 翻译
SAYED HAIDER RAZA (1922-2016)
Untitled (Village au Ciel Orange)
signed 'RAZA' (lower right)
oil on canvas
25.5 x 19.75 in. (64.8 x 50.2 cm.)
Paintedcirca 1956
Ader, Paris, 29 May 2013, lot 97 Private Collection Matsart Art Gallery, Tel Aviv Private Collection, Hong Kong Phillips, London, 28 June 2019, lot 150 Acquired from the above by the present owner
拍品专文 Sayed Haider Raza’s landscapes of the mid to late 1950s were largely inspired by the rolling vistas and villages of rural France, which he encountered for the first time on his travels around the country. This painting was created in the mid-1950s, a few years after Raza’s arrival in France, and represents a critical period in the artist's career when his treatment of landscape was evolving. In works from this period, the texture of Raza’s brushstrokes thickened as he moved from using gouache and watercolor to oil, and his confident strokes seemed to carve the painted surface with their strength. The European landscapes Raza discovered during his travels in France, Spain and Italy at the time fuelled his experimentation in the genre. In the present lot, we see Raza embarking on a path of self-exploration through his art, combining the abstraction of modernism, the painterly techniques of Expressionism and the philosophy of color of Post-Impressionist schools of art. While the subject matter and elements of the landscapre are still discernible, color and painterly application become the key elements of the composition. Raza relies on a bold, non-naturalistic palette and heavy texture as stylistic devices to communicate his emotional rather than his visual experience of the scene. In this sense, Untitled (Village au Ciel Orange) preceeds the tumbling French landscapes he would paint for the rest of the decade, as well as the abstract compositions inspired by nature that would soon follow. Emblematic of the intuitive expressivity of France’s post-war art yet defying regional or stylistic designation, this painting stands testament to the unconventional vision of one of India’s most revered modern masters.

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