A beautiful and rare 17th C. Kang-xi period jewelry blue glaze Guan-Yin vase. This vase has a very elegant, graceful, and flowing contour. It has an elongate body, especially the upper section, and with a proportionally large mouth than such vases made thereafter. This shape is typical for Kangxi Guan-Yin vases. The clay that forms the body is white and very fine, typical of Kangxi porcelain clays...... On the 16th year of Kangxi reign,the head Fo Liang county, where the imperial porcelain factory resided, prohibited the writing of reign mark on porcelains, in order to prevent that the sacred reign mark might be trashed when porcelain is broken. Perhaps this is the reason that Kangxi mark was not written on this magnificent vase. The vase It has a very good culture&art appreciation and collection value. H:25.2cm. 清早期洒蓝釉观音瓶:皇家用祭祀礼器,洒蓝釉又是皇家祭祀专用的颜色,非常珍贵。 洒蓝也叫青金蓝,是瓷器釉色的一种,它诞生于明代宣德年间。后来,工艺失传,直到清康熙年间,仿照洒蓝工艺重新开始了洒蓝釉瓷器的生产。清官窑洒蓝釉瓷器,是中国古代瓷器中较为稀少的珍贵品种之一,洒蓝釉以其特有的色彩光泽,让人感到一种深邃庄重的高贵气质。在如今的收藏中,清官窑洒蓝釉瓷器是极为少见的珍稀品种之一,因此,它具有很高的收藏价值。 描述:这是一个美丽和稀有的康熙时期的蓝釉观音瓶。这个花瓶有一个非常优雅,婉约,和 流动的轮廓, 它具有匀称的型体,尤其是上段,并从大口部位开始,按照一定的比例制作出这样的花瓶。这种形状是典型的康熙时期青花五彩观音花瓶的样式。构成胎体的粘土为白色,很细,属于典型的康熙瓷器粘土......在康熙朝16年,在现在的景德镇口,皇家御制瓷器工厂进驻那里,并禁止瓷器书写统治者的年号印记,以防止神圣的统治者标记可能会在瓷器破损后被打碎或丢弃。也许这就是大清康熙年款标志不写在这些观音花瓶底的原因。 这类瓷瓶具有非常高的文化艺术价值和收藏价值。
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品相报告
Very good condition. Age discolored, natural inclusions. Take all pictures at daylight source. 状况报告:状况良好,年久变色,有自然夹杂物。所有拍摄是在自然光源下