| 中文版 English

具体要求

其它要求

-
关闭
General Kenneth Casey, General Meldon Convention, General Adele-De-Garbe, and General Accountants
美国 北京时间
2022年01月25日 开拍 / 2022年01月12日 截止委托
拍品描述 翻译
Henry Darger
1892 - 1973
General Kenneth Casey, General Meldon Convention, General Adele-De-Garbe, and General Accountants
watercolor and graphite on paperboard
Circa 1940-1960
12 1/2 in. by 14 1/8 in.
Kiyoko and Nathan Lerner, Chicago, Illinois;
Sotheby's, New York, Contemporary Art Day Auction, November 15, 2019, sale?10150, lot 165. Iowa City, University of Iowa Museum of Art,?Henry Darger: The Unreality of Being,?January - March 1996, cat. no. 54, illustrated in color John MacGregor states that “for a considerable period, Darger seems to have taken on the task of painting small portraits of all the leading generals who fought in the Glandco-Angelinian wars -both the good and evil participants. Usually several of these small images are placed on a single piece of cardboard, like pages in a family album, with the name of the general printed below. Frequently they appear on both sides of the heavy cardboard, which raises the possibility that initially they may not have been intended for the walls of his room. Occasionally lengthy texts are hand-printed below the figures, and these provide detailed explanations concerning their achievements in the wars.
The consistent size and format of these portraits, as well as the extreme age of the card-board they are mounted on, suggest that this body of work was produced more or less at one time. Over seventy individual portraits survive. In a sense the painted portraits of generals represent the commencement of Darger's own work, as well as the beginning of his involvement with an extremely important technique. In creating these portraits, he abandoned the use of overpainted photographs, relying instead on various methods of tracing photographs or drawings as a means of transferring them onto blank paper. The resulting drawing preserves the basic contours of the original image, as well as the pose and the character of the underlying photograph. The simple tine drawing, which is often in the purple ink of old carbon paper, is then filled in with color. Darger seems to have felt more independent of his model, free to invent his own uniforms and decorations, as well as hair, beards, and mustaches, with which he adorns the underlying faces. Working in dense black ink and watercolor, he filled in the simplified shapes and the flat backgrounds. Given his love of coloring books, it is evident that he had found a way to make his own coloring book of The Realms, which he then completed by filling in the blanks.
Almost invariably, one can detect a more “sophisticated" prototype behind the drawing, and traces of distinct personalities. But the uniqueness of these naive portraits lies in Henry's wonderfully awkward and simplified copies. It was through the supposedly mechanical act of tracing that an insignificant photograph could be transformed into an original Darger drawing and fitted perfectly into the naive narrative style of The Realms. The drawings evoke something of the mood and character types which we associate with the American Civil War. The names Henry invented for his char-acters, and particularly his generals, also seem to recall the heroes of that war, who he could only have known as dark photographs or engravings in military histories. Boldly painted in intense colors, these images hold their own, even when looked at from across a room. ... These drawings, one of which is dated 1918 on the back represent the very beginning of what was to be a vast project, the illustration of In the Realms of the Unreal. They reflect Darger's nascent skill at an early stage. He was twenty-six years old, and nowhere near being the sophisticated artist he would become.” See John M. MacGregor, Henry Darger: In the Realms of the Unreal, (New York: Delano Greenridge Editions, 2002), p. 127.

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
100
50
500
100
1,000
200
2,000
250
5,000
500
10,000
1,000
20,000
2,000
50,000
5,000
100,000
10,000
+

价格信息

拍品估价:20,000 - 40,000 美元 起拍价格:20,000 美元  买家佣金:
落槌价 佣金比率
0 - 400,000 25.00% + VAT
400,000 - 4,000,000 20.00% + VAT
4,000,000 - 以上 13.90% + VAT
服务费:平台服务费为成交总金额(含佣金)的3%

拍卖公司

Sotheby's
地址: 1334 York Avenue
邮编: 10021
向卖家提问

小贴士

1. 一般拍卖公司接受的付款方式有以下几种:
现金、信用卡、转账汇款、银行支票、个人支票以及PayPal支付。
使用PayPal支付时,请留意需要在账单金额的基础上额外加上 4% 的手续费。
2. 信用卡的种类有以下几种:
3. 转账汇款时请注意银行手续费
海外拍企会要求足额到账,所以请您在汇款时,选择足额到账,或在汇款金额的基础上加上汇款手续费(如25美金)。
4. 国际转账汇款时, 您需要知道海外拍卖行以下汇款信息:
* 收款人名称
* 收款人地址
* 收款人银行账号
* 收款银行国际编码(8位字母数字组合,必填项, 如: BFKKAT2K)
* 收款银行清算码(9位数字组合,选填项)
* 收款银行名称
* 收款银行地址
5. 运输相关事项
有的海外拍卖行会替您安排和协调运输, 您只需要支付相关的运费及保险费(如您需要)即可;有的海外拍卖行会推荐几家长期合作的运输公司, 这些运输公司有着良好的信誉和高质量的工作效率,您大可放心。您只需要提供您的收货地址, 竞得拍品账单。 运输公司会根据您提供的信息给您报价, 您可以在其中选择最优的报价者来承担运输任务。然后就是付款了, 信用卡是最常用的支付手段, 当然还有其他像PayPal,转账等。
6. 进口通关可能出现的关税
国际运送的包裹在进口清关过程中如需支付关税,需由包裹接受人(即买家)自行承担。 征收标准:具体征收标准和额度以海关通知和解释为准。
7. 禁拍拍品
海外拍卖会可能会出现中国法律禁止交易的物品,如枪支、管制刀具、象牙、犀角等;中国买家不得通过本平台参与上述物品的拍卖活动;任何情形下,买家均须对自己的竞拍行为独立承担责任。
服务热线:400-608-1178
查看全部小贴士