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each of archaistic hu form, potted with a ?attened pear-shaped body supported on a splayed foot, sweeping up to a waisted neck and everted rim, the exterior powerfully carved in raised relief with three wide bands depicting taotie masks framed by symmetrical archaistic kuilong, the curved dragon body reduced to sylised scrolls, encircled at the foot with a narrower band of similar decoration, each band with raised ?anges in relief at the four sides, all reserved on a crisply carved leiwen ground, covered overall in a teadust glaze of brown tone to simulate the patina of bronze, splashed with robin’s-egg turquoise and green enamels to mimic encrustation, the brown-glazed base impressed with a six-character seal mark within a square, the zitan wood stands deftly carved with archaistic taotie masks echoing the decoration of the vase, together with a negative on glass dating from the late 19th century
41.5 cm, 16? in.
PROVENANCE
A French private collection since the late 19th century.
Christie’s Paris, 19th December 2012, lot 104. 清乾隆 仿銅釉饕餮紋出戟大壺一對 《大清乾隆年製》款
附十九世紀末底片一幀
來源:
法國私人收藏,始於十九世紀末
巴黎佳士得2012年12月19日,編號104