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Sargent Claude Johnson (American, 1888-1967). Head of a Woman, circa 1938. Glazed terracotta. 5-1/2 ...
美国 北京时间
2022年05月11日 开拍 / 2022年05月09日 截止委托
拍品描述 翻译
Sargent Claude Johnson (American, 1888-1967)
Head of a Woman, circa 1938
Glazed terracotta
5-1/2 inches (14.0 cm) high on a 3/4 inch (1.9 cm) high painted wood base
Inscribed on back of head: Sargent Johnson
Black Art of a Distinguished Collector
PROVENANCE:
Phillip L. and Toby Flax Collection, San Francisco, California;
Sale: Clars Auction Gallery, Oakland, California, September 15, 2019, lot 7514;
Acquired by the present owner from the above.

"It is the pure American Negro I am concerned with, aiming to show the natural beauty and dignity in that characteristic lip and that characteristic hair, bearing and manner; and I wish to show that beauty not so much to the white man as to the Negro himself."
- Sargent Johnson
Sargent Claude Johnson was an American artist of African descent who worked in various media including painting, sculpture, ceramics, and printmaking. His primary medium was sculpture. Johnson studied at the Worcester Art School in Massachusetts and moved to San Francisco in 1915 to study painting, drawing and sculpture. He attended A.W Best School of Art and the California School of Fine Arts. During this time, he studied under sculptors Ralph Stackpole and Beniamino Bufano. As a student, Johnson earned two first place prizes studying at the California School of Fine Arts in 1921 and 1922. In 1925, Johnson attracted the attention of the Harmon Foundation, an organization that provided awards to African Americans for distinguished achievement in business, education, fine arts, literature, music, race relations, religious service, and science to stimulate creative achievement during the Harlem Renaissance (1919-1930). Johnson won many awards for his work and was included in their exhibitions.
Johnson spent his career in the Bay area and became the first African American artist on the West Coast to receive a national reputation. Like many of his contemporaries, he studied African art and drew inspiration from his life and community including African American music, art, and literature. In the 1930s he worked with the Federal Arts Project on public projects for the New Deal, where he expanded his range of subjects and style, including abstraction. In the 1940s he traveled to Mexico and was equally influenced by Mexican muralism. Johnson embraced his cultural identity, and it was reflected in his work. He made a bold choice to reflect African beauty in his sculptures. He states, "It is the pure American Negro I am concerned with, aiming to show the natural beauty and dignity in that characteristic lip and characteristic hair... I wish to show that beauty not so much to the white man as to the Negro himself."
Sargent Johnson elegantly portrays the descendant beauty of Kings and Queens in "Head of a Woman," with its distinctly African features which evoke Benin Bronzes.
-Halima Taha, writer, arts & cultural strategist, and author of Collecting African American Art: Works on Paper and Canvas
? Halima Taha/Tahathinks 2021
Condition Report*: Presents well. Small loss to the glaze at figure's proper left ear. Slight unevenness to the glaze causing variations in surface sheen. Sculpture is slightly loose on base. Overall height: 6-1/4 inches.

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