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ALIX AYMÉ (FRANCE & VIETNAM, 1894-1989) PROFESSOR AT THE ÉCOLE DES BEAUX-ARTS DE L INDOCHINE (EBAI - INDOCHINA FINE ARTS COLLEGE OF HANOI) Jeune fille assise aux fleurs – A seated young beauty with flowers Lacquered wooden panel Signed on the
爱尔兰 北京时间
2022年06月29日 开拍
拍品描述 翻译
ALIX AYMé (FRANCE & VIETNAM, 1894-1989) PROFESSOR AT THE éCOLE DES BEAUX-ARTS DE L INDOCHINE (EBAI - INDOCHINA FINE ARTS COLLEGE OF HANOI) Jeune fille assise aux fleurs ? A seated young beauty with flowers Lacquered wooden panel Signed on the lower right Framed with an American case Dimensions (the sole lacquered panel, frame excluded): 77 x 49 cm This lot will be included in the forthcoming catalogue raisonne of the artist in preparation by Mr. Pascal Lacombe. Provenance: a Brittany private collection, France. NOTICE TO BIDDERS: This lot is stored at CADOGAN TATE PARIS. Please contact CADOGAN TATE at Parc des Docks, Batiment 553B, 50 rue Ardouin, St Ouen, 93400 Paris, France, +33 1 48 20 85 60. Notes: 1. Born in Marseille as Alix Angèle Marguerite Hava, Alix Aymé (this last name being that of her second husband, Georges Aymé, who eventually became the Commandant of French Forces in Indochina) was a pupil of George Desvallières (1861?1950) and then Maurice Denis (1870-1943), with whom she maintained a close correspondence throughout her career. She first traveled to Asia (Shanghai, China then Hanoi, Vietnam) in the 1920s with her first husband, a milestone from which would grow her fascination for this continent. She returned to Indochina in the late 1920s together with her new-born child and then traveled extensively the South-Eastern Asia. Alix Aymé was inextricably linked to the French colonial experience in Indochina: she lived and worked for many years in Hanoi she was instrumental in the revival of the ancient art of lacquer that she taught at the Ecole des Beaux-Arts de l Indochine (Indochina School of Fine Arts) along with Joseph Inguimberty (1896-1971). Her work is at the crossing point between the Nabis style and the traditional Vietnamese painting. It is also inspired from the Byzantine icons with a notable taste for gilt backgrounds. She thereby brought traditional Vietnamese subjects, such as young beauties and maternities, under the light of Western Modernity. She was particularly talented at depicting the soul and intimacy of her models. In September of 2012, an exhibition about the Ecole des Beaux-Arts de l Indochine (EBAI) opened at Paris Museum of Asian Art (Cernuschi Museum) that drew attention to the work of Alix Aymé with the display of a magnificent lacquered cabinet by hert that was arguably the star attraction . Today, her work is found in a number of important private and public collections worldwidely, including the Cabinet des Dessins of the Louvre Museum (Paris, France), the Musée des Années Trente (Paris, France), the Royal Palace in Luang Prabang (Cambodia) and the Evergreen Museum and Library of Johns Hopkins University in Baltimore (USA) 2. This portrait seems to belong to a series of lacquered wooden panels depicting women together with flowers and may possibly be the most notable one. Indeed, it stands out because of its size (it appears to be the largest one of the series) and also because the body of the model is made visible, whilst on the other panels, their sole busts are depicted. Alix Aymé captured the soul and intimacy or her model - a very young girl with almond eyes, half-long hair and a delicate smile - who appears to be serene and calm. She is wearing a long brown long robe as well as a flower necklace and his holding a bouquet of flowers. The sobriety of her tunisque is deeply contrasting with the bright pastel colors of the flowers and with the gold background. The latter makes it looks like an icon rather than a mere portrait, which conveys spirituality and invites to meditate. 3. Compare with a panel depicting a young girl with a dove of smaller size (45,5 x 38 cm) sold at AGUTTES, Paris, France, 2020-10-06, lot 24, for ?27,000 hammer price. Also compare with a panel depicting a young girl with flowers of smaller size (48 x 38 cm) sold at AGUTTES, Paris, France, 2022-03-14, lot 30, for ?87,000 hammer price. This last example is the closest one to our panel and gives a good idea on the most recent trend for prices. ALIX AYMé (PHáP Và VIT NAM, 1894-1989) GING VIEN TI TRNG M THUT ?NG DNG (TMTD - TRNG CAO NG M THUT ?NG DNG Hà NI) Jeune fille assise aux fleurs ? Thiu n xinh p ngi bEn hoa Tranh g sn mài c ky tEn góc di bEn phi óng khung bng khung ca Hoa K Kích thc (ch tính tm sn mài, kh?ng bao gm khung): 77 x 49 cm Xut x: mt b su tp t nhan ca Brittany, Pháp. LU Y QUAN TRNG I VI NHà THU: L? này s c ?ng Pascal Lacombe a vào danh mc quan trng ca ha s sp ti. Ghi chú: 1. Sinh ra ti Marseille vi tEn gi Alix Angèle Marguerite Hava, Alix Aymé (h này là h ca ngi chng th hai ca bà, Georges Aymé, ngi cui cùng tr thành Ch huy Lc lng Pháp ?ng Dng) là hc trò ca George Desvallières (1861?1950) và sau ó là Maurice Denis (1870-1943), ngi mà bà ? duy trì mt mi quan h th t gn bó trong sut s nghip ca mình. u tiEn bà i du lch chau á (Thng Hi, Trung Quc sau ó là Hà Ni, Vit Nam) vào nhng nm 1920 cùng vi ngi chng u tiEn ca bà, mt ct mc quan trng mà t ó bà s phát trin nim am mE i vi lc a này. Bà tr li ?ng Dng vào cui nhng nm 1920 cùng vi a con mi chào i và sau ó i du lch nhiu ni ?ng Nam á. Alix Aymé ? gn bó cht ch vi nhng tri nghim thuc a Pháp ?ng Dng: bà ? sng và làm vic trong nhiu nm Hà Ni bà là ngi có c?ng trong vic hi sinh ngh thut sn mài c xa mà bà ? ging dy ti Ecole des Beaux-Arts de l Indochine (Trng M thut ?ng Dng) cùng vi Joseph Inguimberty (1896-1971). Tác phm ca bà là im giao thoa gia phong cách Nabis và hi ha truyn thng Vit Nam. Ngoài ra cng c ly cm hng t các biu tng Byzantine vi th hiu áng k dành cho nn m vàng. Qua ó, bà ? em các ch truyn thng ca Vit Nam, chng hn nh các thiu n xinh p tr trung và thiEn chc làm m, di ánh sáng ca Hin i phng Tay. Bà c bit tài nng trong vic miEu t tam hn và ni tam ca nhng ngi mu ca bà. Vào tháng 9 nm 2012, mt cuc trin l?m v Ecole des Beaux-Arts de lIndochine (TMTD) c khai mc ti Bo tàng Ngh thut Chau á ti Paris (Bo tàng Cernuschi) ? thu hút s chú y n tác phm ca Alix Aymé vi vic trng bày mt chic t sn mài lng ly bi hert c cho là ?im thu hút ng?i sao?. Ngày nay, tác phm ca bà c tìm thy trong mt s b su tp t nhan và c?ng cng quan trng trEn toàn th gii, bao gm Phòng Trin l?m Hi ha ca Bo tàng Louvre (Paris, Pháp), Bo tàng M thut Thp niEn 30 (Paris, Pháp), Cung in Hoàng gia Luang Prabang (Campuchia) và Bo tàng và Th vin Evergreen ca i hc Johns Hopkins Baltimore (M) 2. Bc chan dung này dng nh thuc v mt lot các tm g sn mài m? t nhng ngi ph n cùng vi hoa và có th là bc áng chú y nht. Tht vy, tác phm ni bt vì kích thc (có v là ln nht trong lot tác phm này) và cng vì phn than th ca ngi mu c th hin r? ràng, trong khi trEn các tm sn mài khác, h c m? t ch bng tng bán than. Alix Aymé ? nm bt c tam hn và s gn gi ca ngi mu ca bà - mt thiu n rt tr vi ?i mt hnh, mái tóc dài chm vai và n ci thanh tú - có v ngoài thanh thoát và im tnh. Nàng mc mt chic áo choàng dài màu nau cng nh mt chic vòng c bng hoa và tay ang cm mt bó hoa. S tht tha trong b l phc ca nàng tng phn sau sc vi màu phn ti sáng ca nhng b?ng hoa và vi nn vàng. Nn vàng làm cho tác phm này tr?ng ging mt biu tng hn là mt bc chan dung, truyn ti tam linh và khi gi suy t sau lng. 3. So sánh vi mt tm sn mài m? t mt thiu n vi mt con chim b cau có kích thc nh hn (45,5 x 38 cm) c bán ti AGUTTES, Paris, Pháp, 06-10-2020, l? s 24, vi giá chung cuc thng u giá là ?27.000. Cng so sánh vi mt tm sn mài m? t mt thiu n vi nhng b?ng hoa có kích thc nh hn (48 x 38 cm) c bán ti AGUTTES, Paris, Pháp, 14-03-2022, l? s 30, vi giá chung cuc thng u giá ?87.000. Ví d cui cùng này là ví d gn nht vi tám sn mài ca chúng t?i và a ra y tng tt v xu hng giá gn ay nht. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

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