Ω A RARE CHINESE DEHUA BLANC-DE-CHINE FIGURE OF THE MADONNA AND CHILD, QING DYNASTY, KANGXI PERIOD, CIRCA 1690
清 康熙 德化聖母與聖子像
Modelled standing holding the Christ child in her left arm, a rosary in his right hand, all upon a grimacing lion-dog base
Height: 38cm
Provenance: The Mujintang collection, Taipei
TO BE SOLD WITHOUT RESERVE
沐錦堂私人珍藏 拍品號172至222
A similar figure is in the British Museum, no: 1980,0728.91, previously in the P. J. Donnelly collection, illustrated and discussed by the author, BLANC DE CHINE, London, 1969, plate 122A, pp. 195-96. Another similar was in the Mottahedeh ollection, illustrated and discussed by D. Howard & J. Ayers, China for the West, vol. I, London, 1978, cat no. 50, p. 91. Another version of this figure is known, with the Christ child in the opposite arm, see Marchant, BLANC DE CHINE, (edited by John Ayers) London, 2006, plate 44., p.70, where the author states that ‘several variations of this model of a Christian subject are known. All were probably made to the order of Catholic missionaries brought to the East by the Portuguese or Spanish and perhaps copy carvings produced in Christian settlements in India or the Philippines. ‘Sancta Marias’ are named in the list of cargo loaded by the English East Indiaman, Dashwood at Amoy in 1701 and sold at auction in London in 1703 as recorded by Geoffrey Godden in Oriental Export Market Porcelain, p.266 who illustrates the other version from the P.J. Donnelly collection.’
一件類似的德化聖母像收藏於大英博物館,藏品編號：1980，0728.91,P.J.Donnelly 舊藏,出版著錄於《BLANC DE CHINE》倫敦1969年,圖122a,頁195-96. 另一相似一例為Mottahedeh 收藏,出版著錄於《China for the West》圖冊一,作者D. Howard & J. Ayers 倫敦 1978,圖50,頁91. 另一件類似但聖子位於相反方位,見於Marchant,《BLANC DE CHINE》作者 John Ayers,倫敦 2006 圖44頁70.
作者指出,“这种基督教主题造像的几种变体是已知的.所有这些都可能是按照葡萄牙人或西班牙人带到东方的天主教传教士的下令專門制作的,同時也可能是在印度或菲律宾的基督教定居点制作的复制雕刻品.從船貨的名單中可以得知“圣玛丽亚”的名稱為自英國東印度人Dashwood於1701所取,之後1703年售於位於倫敦的拍賣行,並且紀錄於《亞洲出口瓷器市場》一書中,圖266.作者Geoffrey Godden.Condition ReportThere is some minor fritting to the rim of one vase.
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GENERAL
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17.
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Glossary
Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.
(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.
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(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.
(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.
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BOOKS AUCTIONS
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Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of ?1,000 and the maximum royalty payable on any single lot is the sterling equivalent of ?10,000.
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(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.
(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Alastair Gibson Auctions or the Seller.
