BERNARD BUFFET (Paris 1928–1999 Tourtour) Oldsmobile 1950. 1984. Oil on canvas. Signed upper right: Bernard Buffet. Titled on the reverse: Oldsmobile 1950. 97 × 130 cm. Provenance: - Emmanuel David, Paris, acquired directly from the artist and by descent to the next generation. - Auction Sothebys, London, 23.10.2001, lot 284. - Swiss private collection, acquired at the above auction. Literature: Yann le Pichon and Maurice Garnier: Bernard Buffet 1982–1999, Switzerland 2007, vol. 3, p. 20, no. 930 (with ill.). Bernard Buffets depiction of an Oldsmobile Super 88 belongs to a series of works based on the theme of automobiles. The artist has emblematically staged the utilitarian object and elevated it in its illustrative appearance to the rank of a work of art. The reduction of the vehicle to its essential elements shows a striking closeness to Pop Art, with its focus on the seriality and banality of manufactured products. Given the fact that Buffet himself was unable to drive, the fascination with the "American Dream" in its reduced form seems rather ironic. With his partner, Pierre Bergé, he shared a passion for collecting that was born less of a love of motorsports than of the aesthetics of the objects — initially travelling by bicycle and moped, the couple would soon own a Citro?n CV2, a Jaguar XK120 and a Rolls-Royce. This list in itself is sufficient to provide an idea of the importance of this series in Buffets oeuvre and in his personal life. Thus through his artistic transformation, Buffet has successfully and impressively liberated an everyday object from its mundanity. BERNARD BUFFET (Paris 1928–1999 Tourtour) Oldsmobile 1950. 1984. ?l auf Leinwand. Oben rechts signiert: Bernard Buffet. Verso auf der Leinwand betitelt: Oldsmobile 1950. 97 × 130 cm. Provenienz: - Emmanuel David, Paris, direkt beim Künstler erworben und durch Erbschaft an**n?chste Generation. - Auktion Sothebys, London, 23.10.2001, Los 284. - Schweizer Privatsammlung, an obiger Auktion erworben. Literatur: Yann le Pichon und Maurice Garnier: Bernard Buffet 1982–1999, Schweiz 2007, Bd. 3, S. 20, Nr. 930 (mit Farbabb.). Bernard Buffets Darstellung eines Oldsmobile Super 88 geh?rt in eine Reihe von Werken, welche Automobile zum Thema haben. Fast emblematisch setzt der Künstler den Gebrauchsgegenstand in Szene und erhebt ihn in seiner illustrativen Erscheinung zum Kunstwerk. Im Rahmen dieser Auseinandersetzung findet sich in der Reduktion auf**wesentlichen Elemente des Fahrzeuges eine überraschende N?he zur Pop-Art, welche Serialit?t und Banalit?t industrieller Erzeugnisse in das Zentrum der Werke stellt. Vor dem Hintergrund, dass Buffet selbst nicht fahren konnte, erscheint**Faszination des ?American Dreams“ in seiner reduzierten Form geradezu ironisch. Mit seinem Lebensabschnittspartner Pierre Bergé verband ihn eine Sammelleidenschaft,**weniger von der Liebe zum Motorsport, sondern von der ?sthetik des Produktes getragen war: Zun?chst mit Fahrrad und Moped unterwegs, wird das Paar schon früh einen Citro?nCV2, einen Jaguar XK120 und einen Rolls-Royce besitzen. Diese Liste allein genügt schon, um sich eine Vorstellung davon machen zu k?nnen, welchen Stellenwert diese Serie in Buffets Schaffen und privatem Leben hat. Buffet gelingt es daher eindrücklich, ein Alltagsprodukt mittels künstlerischer Umsetzung aus seinem profanen Bereich zu l?sen.
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