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A Magnificent and rare gold and polychrome decorated vase with Qianlong Mark.
美国 北京时间
2015年09月30日 开拍
拍品描述 翻译
Dr. Lin 70. A magnificent and rare gold and polychrome decorated vase with Qianlong Mark. The well potted vase has a very elaborate ground decoration, formed by numerous interconnecting “wan” (an auspicious word of swastika shape) in raised blue “cloisonné-type enamel”. Such elaborate and elegant ground started in late Qianlong and lasted until late Qing dynasty, and is often used on top quality imperial porcelains. The external wall has two medallions, within one of which is painted an old pine tree by rocks and in company of full blossoming peony, chrysanthemum and orchids, with a beautiful red and black bird flying in open sky, and with the red sun partially covered by white clouds, which is delicately painted with raised white enamel among pale blue sky. Although so many features are put into the medallion, they are not crowding and the medallion preserves a spacious feeling. This way of painting mimics the style of earlier Yongzheng porcelain paintings in cloisonné enamels and famille rose. The other medallion depicting a pink long tail bird with red crown perching on a blossoming magnolia tree, in company of full blossoming peony and chrysanthemums. Here again, it is done in the Yongzheng style with lower left corner crowded and the right and upper areas wide open. This style is consistent with a Chinese painting principle that when crowing is require, air cannot go through; when opening is required, a wagon can move through. The decorations below the mouth rim, around the shoulder, and above the food are in iron red and done with elaborate and meticulously delicate brush work. Most of the brush strokes have light and heavy parts so that the flowers and branches show light and shade areas, giving a stereo-perception. Gold enamel is liberally applied onto the mouth rim, the medallions’ borders, and many other places. However, due to its age, most of the gold enamel has eroded. All color enamels are mellowed, mimicking Yongzheng style. Although the outer base has a Qianlong mark and an English sticker stating that it is of that period, this vase is probably mid-to-late Qing period. (From Dr. Robert I-San Lin’s Collection of Important Chinese Arts, California). H 22.6cm. 稀有而極精緻的乾隆款藍色琺瑯彩"卐"字地粉彩開光光內花鳥紋長頸瓶. 此瓶造型端荘工整、與乾隆盤口長頸瓶的器形極相似(參攷耿寶昌"明清瓷器鑒定"清代部分、圖138之第六件). 胎甚細膩. 釉甚溫潤. 紋飾華麗繁絮、但彩色稍雅淡含蓄. 口沿饰金线一週、但因年久、只有部份尚存、這是古代高檔瓷的常見現象. 口沿下饰礬紅彩如意雲頭花邊一週、每個雲頭中心加一金奌、外週也加圍金邊、也因年久、金彩已大都磨失、呈灰黑色. 頸飾許多相連的藍色琺瑯彩卍紋、筆筆工整而凸出釉面,頗像古代織錦的文飾. 肩飾三圈礬紅邊飾. 上圈是以相連的雙回紋為單原而內夾金邊的花紋. 第二圈是以細筆微細地畫纒枝盛開的花、每筆有輕有重處、每瓣每葉都有明暗處、使枝葉花朵有立體感、這是典型乾隆時代髙級瓷花葉的畫法. 肩的下沿再飾一週如意雲頭、每朵雲頭內加飾金彩下垂的三瓣花. 在放大鏡下可見殘餘金彩. 瓶身主飾是在卐字錦地上的兩開窗(光)中. 一窗內繪紅日當空、半為白雲掩遮、白雲則先以極淡的灰藍彩渲染出一片天空、再以凸出的白彩繪雲朵、甚細膩. 天空的右角有一隻紅黑色的烏正飛向一棵古老的蒼松、松下地坡上有盛開的牡丹花、將開的花苞、盛開的紅菊、及白色香蘭、各有枝葉相伴. 整個畫面由繁華的左下角向右及上空漸稀疏、符合中國傳統畫法之一:密不通風、鬆可過車. 這種畫風也在雍正瓷飾中常見. 使覌賞此瓶的人覺得如臨懸崖眺望海闊天空的超然情趣.藝術境界高超. 窗的外圍加飾金彩一圈. 另一窗內畫一枝盛開的玉蘭樹從一堆在左下角的美石中向右上方伸出、枝上棲着一隻紅冠粉紅羽的長尾綬帶鳥、一朵盛開的紅牡丹及三朵紅紫及淺黃的菊花圍繞美石堆、用筆細膩、色彩雅淡、由密而疏、極像雍乾時代紙絹上的晝. 脛部飾一週變形的仰蓮瓣一週、每瓣內飾一磬、其下懸一串纓絡. 這是典形的乾隆花邊. 外底心書"大清乾隆年製"紅彩三行章式篆款

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