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A PAIR OF FRENCH ORMOLU AND LACQUERED-BRONZE TWO-LIGHT CANDELABRA 19TH CENTURY
美国 北京时间
2022年10月22日 开拍 / 2022年10月20日 截止委托
拍品描述 翻译
A PAIR OF FRENCH ORMOLU AND LACQUERED-BRONZE TWO-LIGHT CANDELABRA
19TH CENTURY
Each with a seated lacquered-bronze figure of a Chinese male and female figure respectively, their robes decorated in gilt and red on a black ground, with naturalistic scrolling arms on rockwork base, with printed and inscribed Ann and Gordon Getty Collection inventory label
10 1/4 in. (26 cm.) high

A PAIR OF FRENCH ORMOLU AND LACQUERED-BRONZE TWO-LIGHT CANDELABRA 19TH CENTURY Each with a seated lacquered-bronze figure of a Chinese male and female figure respectively, their robes decorated in gilt and red on a black ground, with naturalistic scrolling arms on rockwork base, with printed and inscribed Ann and Gordon Getty Collection inventory label 10 1/4 in. (26 cm.) high The Lafarge Collection, sold in Lyon, France, 16 December 1868, lot 534, by repute. Anonymous sale; Sotheby's, New York, 13-15 October 1983, lot 308. Acquired by Ann and Gordon Getty from the above.
Lot Essay These candelabra were conceived in the eighteenth-century French tradition of decorating bronze to resemble the finest and most expensive seventeenth-century Japanese lacquer. Such lacquered-bronze figures arguably reflect one of the most sophisticated phases of the 'go?t Chinois'. Traditionally, lacquered-bronze figures have been associated almost exclusively with the Martin dynasty, both as a result of contemporary documentary references - such as the 1753 reference in the Inventory of the comtesse de Mailly - as well as the fact that they were granted a Royal Patent to protect the vernis technique which they had invented. This latter patent was further enhanced in 1744 by a renewed one for lacquer wares 'en relief dans le go?t du Japon et de la Chine', and by 1748 they had opened the manufacture Royale de vernis de la chine. C. Sargentson in Merchants and Luxury Markets: The Marchands Merciers of Eighteenth Century Paris, London, 1996, however, has convincingly argued that there must have been a number of unknown craftsmen supplying such figures to the marchands-merciers, and indeed Parisian almanachs of the period often list several specialists in 'vernis'. Moreover, Jean-Félix Watin, in his Le Peintre Doreur et Vernisseur of 1772, stated that ten different recipes for lacquer were being employed in Paris at that time, as well as going on to say that by the 1740s the Martin family was suffering from widespread competition, which had inevitably resulted in the prices for lacquer wares being forced down. Eighteenth-century works comparable to this lot include a pair originally supplied to the Royal House of Savoy for the Palazzo Reale, Turin, later in the collection of Thelma Chrysler Foy and sold Parke-Bernet Galleries, New York, 22-23 May 1959, lot 667; a pair sold as part of a garniture with a clock with movement by Thiout, from the collection of Jaime Ortiz-Pati?o, Sotheby's, New York, 20 May 1992, lot 7; and a pair with identical figures sold Christie’s, New York, 20 April 2007, lot 153.

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拍品估价:8,000 - 12,000 美元 起拍价格:8,000 美元  买家佣金:
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0 - 1,000,000 26.00% + VAT
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6,000,000 - 以上 14.50% + VAT
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