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A GEORGE III GILTWOOD AND POLYCHROME-PAINTED GUERIDON POSSIBLY DESIGNED BY ROBERT ADAM, CIRCA 1775
美国 北京时间
2022年10月23日 开拍 / 2022年10月21日 截止委托
拍品描述 翻译
A GEORGE III GILTWOOD AND POLYCHROME-PAINTED GUERIDON
POSSIBLY DESIGNED BY ROBERT ADAM, CIRCA 1775
The gilt and polychrome painted circular tray top depicting a kneeling female angel holding a halo and a winged putto holding a torch, encircled by classical busts and trophies, over a frieze depicting alternating panels of angels and leaf-scroll diamonds centered by a mahogany lined drawer, on a giltwood tripod base with incurved supports headed by lion masks and strung with husk garlands, with a lower stretcher tier surmounted by an urn, and terminating in paw feet, with printed and inscribed Ann and Gordon Getty Collection inventory label
28 1/2 in. (71.8 cm.) high, 16 in. (40.6 cm.) wide, 16 in. (40.6 cm.) deep

A GEORGE III GILTWOOD AND POLYCHROME-PAINTED GUERIDON POSSIBLY DESIGNED BY ROBERT ADAM, CIRCA 1775 The gilt and polychrome painted circular tray top depicting a kneeling female angel holding a halo and a winged putto holding a torch, encircled by classical busts and trophies, over a frieze depicting alternating panels of angels and leaf-scroll diamonds centered by a mahogany lined drawer, on a giltwood tripod base with incurved supports headed by lion masks and strung with husk garlands, with a lower stretcher tier surmounted by an urn, and terminating in paw feet, with printed and inscribed Ann and Gordon Getty Collection inventory label 28 1/2 in. (71.8 cm.) high, 16 in. (40.6 cm.) wide, 16 in. (40.6 cm.) deep Probably commissioned by Hugh, 1st Duke of Northumberland, for either Syon House, Middlesex or Northumberland House, The Strand, London. By descent to Algernon Percy, son of Hugh Percy, Bishop of Carlisle, who married Emily Heber, daughter of Bishop Heber, in 1839. Sold by direction of Algernon Heber-Percy Esq., removed from Hodnet Hall, Shropshire; Christie's, London, 22 November 1967, lot 114. Acquired by Ann and Gordon Getty from the above. G. Beard & J. Goodison, English Furniture 1500-1840, Oxford, 1987, p. 169, fig. 4. Please note lots marked with a square will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) on the last day of the sale. Lots are not available for collection at Christie’s Fine Art Storage Services until after the third business day following the sale. All lots will be stored free of charge for 30 days from the auction date at Christie’s Rockefeller Center or Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Operation hours for collection from either location are from 9.30 am to 5.00 pm, Monday-Friday. After 30 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Please consult the Lot Collection Notice for collection information. Please note lots marked with a square will be move… Read more
Lot Essay This elegant gueridon reflects the Neoclassical taste popularized by the work of the Scottish architect Robert Adam (1728-1792) and presents a tantalizing link to his fabled interiors for the 1st Duke of Northumberland (1714-1786). From 1762-1775, Adam worked on the remodeling and refurbishment of Syon Park followed by Northumberland House, their London mansion. Lord and Lady Northumberland were amongst the greatest collectors and patrons of the arts of the 18th century, commissioning works from leading artists, architects and craftsmen. Adam was employed to design a series of rooms along with their furnishings to create the perfect setting for Northumberland’s antiquities, paintings, including several by Canaletto and other objets d’art collected on the Grand Tour. In contrast to Northumberland's heir, who had a notable military career as a British officer in the American War of Independence, Northumberland’s second son, Lord Algernon Percy (1750-1830), who was created 2nd Baron Louvaine and 2nd Earl of Beverly, followed in his father’s footsteps. He went on two Grand Tours, the first in 1768 during which he was painted by Pompeo Batoni (1708-1787) and his travelling companion noted that he did not dislike 'parade and splendor and evinced great taste in his expenditure'. This undoubtedly included the ‘Beverly Cameos,’ one of the most important Grand Tour collections of its kind of which part were sold by his descendant, Algernon Heber-Percy, at Christie's, London, 1 November 1990, lots 16-28. It is certainly possible that Lord Beverly, who shared the Duke’s aesthetic interests may have also inherited this table or had it commissioned for one of his residences. The distinctive use of painted decoration for this table may indicate it is the work of the London cabinet-maker George Brookshaw (1751-1823), described on his bill header to the Prince of Wales (for Carlton House in 1783) as ‘Peintre Ebeniste par Extraordinaire’. As the title suggests he was a cabinet-maker with an unusual and exceptional skill in the art of painted decoration, who created a relatively small but unique body of work that includes pier tables, cabinets, commodes, bookcases and chimneypieces. It is interesting to note a commode firmly attributed to Brookshaw (which is also in the Getty Collection) was sold by Heber-Percy in the same sale at Christie's in 1967, further indicating a potential family link with this maker.

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拍品估价:30,000 - 50,000 美元 起拍价格:30,000 美元  买家佣金:
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