| 中文版 English

具体要求

其它要求

-
关闭
A PAIR OF GEORGE II SCARLET AND GILT-JAPANNED CHAIRS BY GILES GRENDEY, CIRCA 1740
美国 北京时间
2022年10月23日 开拍 / 2022年10月21日 截止委托
拍品描述 翻译
A PAIR OF GEORGE II SCARLET AND GILT-JAPANNED CHAIRS
BY GILES GRENDEY, CIRCA 1740
Japanned overall in tones of gold and silver with chinoiserie scenes of courtly figures in landscapes on a red ground, each with a vase-form splat and caned seat on cabriole legs and stretchers, one chair with numeral III, S1, and H inscribed to underside, decoration refreshed, particularly to the red ground, with printed and inscribed Ann and Gordon Getty Collection inventory label
39 1/2 in. (100.3 cm.) high, 21 1/2 in. (54 cm.) wide, 22 1/2 in. (57.2 cm.) deep

A PAIR OF GEORGE II SCARLET AND GILT-JAPANNED CHAIRS BY GILES GRENDEY, CIRCA 1740 Japanned overall in tones of gold and silver with chinoiserie scenes of courtly figures in landscapes on a red ground, each with a vase-form splat and caned seat on cabriole legs and stretchers, one chair with numeral III, S1, and H inscribed to underside, decoration refreshed, particularly to the red ground, with printed and inscribed Ann and Gordon Getty Collection inventory label 39 1/2 in. (100.3 cm.) high, 21 1/2 in. (54 cm.) wide, 22 1/2 in. (57.2 cm.) deep Almost certainly supplied to either Don Juan Raimundo de Arteaga-Lazcano y Chiriboga (d. 1761), III Marqués de Valmediano, El Se?or de la Casa de Lazcano con Grandeza de Espa?a for Lazcano Castle, Guipúzcoa, San Sebastián, Spain, circa 1735-40. Thence by descent at Lazcano Castle to Don Juan de Dios de Silva Mendoza y Sandoval, X Duque del Infantado (1672-1737), or his daughter, Do?a Maria Teresa de Silva y Mendoza, XI Duquesa del Infantado (1707-1770). Thence by descent with the Dukes of Infantado to Don Joaquín Maria de Arteaga-Lazcano y Echagüe Silva-Bazán (1870-1947), 17th Duque del Infantado, Lazcano. From whom seventy-two pieces of the suite acquired by Adolph Loewi, 1930. The Rosen Foundation, Caramoor, New York; Christie's, New York, 14 April 1984, lot 154 (part of a set of six). A Private Collection; Sotheby's, New York, 22 April 1995, lot 89. R. W. Symonds, 'Giles Grendey (1693-1780) and the Export Trade of English Furniture to Spain', Apollo, 1935, pp. 337-342. R. W. Symonds, Masterpieces of English Furniture and Clocks, London, 1940, pp. 87-88, figs. 56-57. R. Edwards & M. Jourdain, 'Georgian Cabinet-Makers VIII - Giles Grendey & William Hallett', Country Life, 1942, pp. 176-177. C. de Arteago, La casa del Infantado, cabeza de Mendoza, vol. II, 1944. R. W. Symonds, 'In Search of Giles Grendey', Country Life, 1951, pp. 1792-1794. R. Edwards & M. Jourdain, Georgian Cabinet-Makers, 1955, p. 145. C. Gilbert, 'Furniture by Giles Grendey for the Spanish Trade', The Magazine Antiques, April 1971, pp. 544-550. 'English Japanned Furniture', Connoisseur, June 1964, p. 120. Leeds Art Calendar, no. 66, 1970, p. 3. H. Huth, Lacquer of the West, 1971, pls. 65-66. G. Wills, English Furniture 1550-1760, London, 1971, p. 130. S. Jervis, 'A Great dealer in the Cabinet Way: Giles Grendey (1693-1780)', Country Life, 1974, pp. 1418-1419. C. Gilbert, Furniture at Temple Newsam House and Lotherton Hall, vol. I, Leeds, 1978, pp. 79-81. G. Beard & C. Gilbert (eds.), The Dictionary of English Furniture Makers 1660-1840, Leeds, 1986, pp. 371-372. G. Beard & J. Goodison, English Furniture 1500-1840, Oxford, 1987, pp. 34 & 86. C. Gilbert, The Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds, 1996, pp. 31-32 & figs. 442-451. [11:32 AM] McKinney, Annsley Mcgill, Forrest, A Curious Affair: The Fascination Between East and West, San Francisco, CA, 2006, pp. 46-47. (One chair). Please note lots marked with a square will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) on the last day of the sale. Lots are not available for collection at Christie’s Fine Art Storage Services until after the third business day following the sale. All lots will be stored free of charge for 30 days from the auction date at Christie’s Rockefeller Center or Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Operation hours for collection from either location are from 9.30 am to 5.00 pm, Monday-Friday. After 30 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Please consult the Lot Collection Notice for collection information. Please note lots marked with a square will be move… Read more
Lot Essay Created by the leading English cabinet-maker of furniture for export, the Infantado suite is renowned as one of the most important groups of English furniture of the 18th century. The suite has been widely published and its pre-eminence is undiminished. The furniture historian R.W. Symonds wrote about a pair of cabinets from the suite in 1935, describing them as 'typical of the best English cabinet work'. Christopher Gilbert, thirty-six years later wrote of the 'outstanding importance' of the suite. Since then, several pieces from the suite have come onto the market and have entered major public collections around the world. THE INFANTADO SUITE These chairs, exotically colored in Chinese red, are among the most celebrated of London furniture of the 18th century and are from the same palatial suite of Lazcano furniture that is represented in major museums, such as the Victoria & Albert Museum, the Metropolitan Museum of Art, New York, Temple Newsam House, Leeds, and the National Gallery of Victoria in Australia. These masterpieces from the Clerkenwell workshops of Giles Grendey (d.1780) were designed en suite with 'pier-set' card-tables, mirrors and secretaire-cabinets, probably for the Spanish castle of Lazcano. The Lazcano furnishings, comprising more than seventy-seven items, are the largest recorded suite of 18th century English furniture. Part of the suite was published in 1944, photographed in situ in the late 19th century in the Saloon at Lazcano Castle (Arteago, loc. cit.). This was after the majority of the suite had been acquired in 1930 by the Venice-based dealer Adolph Loewi. The suite comprised at least seventy-seven items, and included some fifty single chairs, twelve armchairs, two day-beds, two pairs of mirrors, a pair of candlestands, a card table, a pair of secretaire-cabinets and a tripod tea table. THE ICONOGRAPHY These chairs, of 'parlour' pattern, with caning for squab cushions, have serpentined frames japan-painted in trompe l'oeil red and gold to resemble the fashionable lacquer imports of the East India trading companies. Their so-called 'India' backs are crowned by feather-plumed 'Indian' heads displayed in flowered-trellis and bird-inhabited cartouches. Their form, as well as their ornament, represent the whimsical fusion of Chinese and Roman elements that was designated 'Modern' in the early Georgian period. Thus, Roman foliage issues from their columnar legs' voluted trusses, while the Roman nature deity's shell badge is displayed within the foliated and fretted lambrequin cartouches on their compass-fronted and reed-moulded rails. Venus's badge also appears on the reeded and pagoda-swept pedestals that support their 'vase' splats. The latter, which are scroll-fretted in the Chinese fan manner, display flower-festooned vignettes of gardens inhabited by Chinese figures. These large figures, enriched with silvering, are raised in bas-relief in the style discussed in the influential 17th century manual issued by George Parker and John Stalker and entitled, A Treatise of Japanning and Varnishing, being a complete discovery of those Arts..., 1688. The imperial figures displayed on the armchairs correspond to those of the Victoria & Albert Museum's couch, which also features the bearer of the imperial canopy or parasol. Interest in such scenes had been aroused by illustrated accounts of embassies to China, but they also evoked the magnificent French Histoire du Roi de la Chine tapestries designed around 1700 at the Beauvais manufactory (Gerard C.C. Tsang, From Beijing to Versailles: Artistic Relations between China and France, Hong Kong, 1997). The tapestries in turn stimulated European taste for Chinese figurative wallpapers commissioned through the Parisian marchand-merciers, and also lead to publications such as Jean-Antoine Fraisse's Livre de Desseins Chinois, 1735. GILES GRENDEY The 'Cabinet-Maker and Chair-Maker' Grendey, who was described in 1740 as 'A great Dealer in the Cabinet Way', carried on a substantial export trade from Aylesbury House in St. John's Square, London. He was appointed Upper Warden of the Joiners' Company in 1747 and its Master in 1766. His son-in-law, John Cobb, was granted a court appointment as cabinet-maker to George III. That Grendey had a large export business has never been doubted. A fire that badly damaged his workshop in 1731 also destroyed furniture to the value of £1,000, that he 'had pack'd for Exportation against the next Morning' (Beard and Gilbert, loc. cit.). It is a tantalizing possibility that the destroyed export furniture was intended for Spain and that the existing Lazcano suite is in fact its replacement. THE DUKES OF INFANTADO The Dukedom of Infantado ('con Grandeza de Espa?a') was created on 22 July 1475 by King Ferdinand VII and Queen Isabella, the 'Reyes Católicos', for Don Diego Hurtado de Mendoza y Figueroa, 2nd Marqués de Santillana and Conde del Real de Manzanares y Ricohombre de Castilla. The castle of Lazcano is situated in Guipúzcoa, Northern Spain, and is associated with one of the oldest noble titles in Spain: in 1330 the head of the family was created Se?or de la Casa de Lazcano con Grandeza de Espa?a. In 1697, Don Juan Antonio de Arteaga acquired the Castle of Lazcano and assumed the name Lazcano. In 1891, on the death of the 15th Duke of Infantado, Don Andrés, a descendant of Don Juan Antonio de Arteaga of Lazcano inherited the Dukedom, after the King intervened and decreed that the ancient title of Infantado should pass to the Marquessate of Valmediano. It is this inheritance which brought the Dukes of Infantado to Lazcano, and which leads to the suggstion that the original patron was either the then Marqués of Valmediano for Lazcano itself, or to the Duke of Infantado and was brought to Lazcano after 1891. What is known is that much of the suite was recorded in a late 19th century photograph and in 1930, the dealer Adolph Loewi bought seventy-two items. Prior to this, the complex manoeuverings of Spanish noble inheritance have provided an obfuscatory glaze to the earlier history. While it is tempting to assume that the suite was always at Lazcano Castle, it might be deemed an unlikely situation for the grandest, and largest known, suite of English export furniture. The Infantados, head of the powerful Mendoza family, were perfectly positioned in the early 18th century to embark on the commissioning of an ambitious suite of furniture. The possibility exists that the suite was commissioned in the 1730s by the 10th Duque del Infantado, perhaps for his daughter, the future 11th Duquesa, after her marriage in 1724, or on her accession in 1737. The Duquesa was one of the most important heiresses of Europe, with numerous titles and privileges, besides that of the ancient Dukedom of Infantado. Alternatively, if we assume that the suite is indiginous to the Palace of Lazcano, it may have been commissioned, c. 1740 by Don Juan Raimundo, 3rd Marqués de Valmediano (d. 1761), whose family later inherited the Dukedom of Infantado in 1891 (see above). THE 20TH CENTURY HISTORY A significant portion of the suite was sold by Adolph Loewi to Lucy and Walter Tower Rosen, founders of the Caramoor Center for Music and Arts, in Katonah, New York. A lawyer, businessman and philanthropist, Walter Tower Rosen purchased the estate of Caramoor in 1928 in order to build a summer home. Inveterate art collectors, music lovers and the center of a circle of artists and musicians, the Rosens frequently entertained their often famous guests - including the Duke and Duchess of Windsor, Tallulah Bankhead and director Max Reinhardt - during the 1930's with chamber concerts and operas in the Music Room. In 1945, after the death of their son in World War II, the Rosen's bequeathed the Caramoor estate as a center for music and art, where the house and collection remain on public view today.

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
100
50
500
100
1,000
200
2,000
250
5,000
500
10,000
1,000
20,000
2,000
50,000
5,000
100,000
10,000
+

价格信息

拍品估价:40,000 - 60,000 美元 起拍价格:40,000 美元  买家佣金:
落槌价 佣金比率
0 - 1,000,000 26.00% + VAT
1,000,000 - 6,000,000 20.00% + VAT
6,000,000 - 以上 14.50% + VAT
服务费:平台服务费为成交总金额(含佣金)的3%

拍卖公司

Christie's
地址: 20 Rockefeller Plaza New York
邮编: NY 10020
向卖家提问

小贴士

1. 一般拍卖公司接受的付款方式有以下几种:
现金、信用卡、转账汇款、银行支票、个人支票以及PayPal支付。
使用PayPal支付时,请留意需要在账单金额的基础上额外加上 4% 的手续费。
2. 信用卡的种类有以下几种:
3. 转账汇款时请注意银行手续费
海外拍企会要求足额到账,所以请您在汇款时,选择足额到账,或在汇款金额的基础上加上汇款手续费(如25美金)。
4. 国际转账汇款时, 您需要知道海外拍卖行以下汇款信息:
* 收款人名称
* 收款人地址
* 收款人银行账号
* 收款银行国际编码(8位字母数字组合,必填项, 如: BFKKAT2K)
* 收款银行清算码(9位数字组合,选填项)
* 收款银行名称
* 收款银行地址
5. 运输相关事项
有的海外拍卖行会替您安排和协调运输, 您只需要支付相关的运费及保险费(如您需要)即可;有的海外拍卖行会推荐几家长期合作的运输公司, 这些运输公司有着良好的信誉和高质量的工作效率,您大可放心。您只需要提供您的收货地址, 竞得拍品账单。 运输公司会根据您提供的信息给您报价, 您可以在其中选择最优的报价者来承担运输任务。然后就是付款了, 信用卡是最常用的支付手段, 当然还有其他像PayPal,转账等。
6. 进口通关可能出现的关税
国际运送的包裹在进口清关过程中如需支付关税,需由包裹接受人(即买家)自行承担。 征收标准:具体征收标准和额度以海关通知和解释为准。
7. 禁拍拍品
海外拍卖会可能会出现中国法律禁止交易的物品,如枪支、管制刀具、象牙、犀角等;中国买家不得通过本平台参与上述物品的拍卖活动;任何情形下,买家均须对自己的竞拍行为独立承担责任。
服务热线:400-608-1178
查看全部小贴士