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A VERY RARE CHINESE COROMANDEL LACQUER TWELVE-PANEL SCREEN QING DYNASTY, SHUNZHI PERIOD, DATED SHUNZHI YIHAI NIAN , CORRESPONDING TO THE YEAR 1659
美国
2022年10月23日 开拍 / 2022年10月21日 截止委托
拍品描述 翻译
A VERY RARE CHINESE COROMANDEL LACQUER TWELVE-PANEL SCREEN
QING DYNASTY, SHUNZHI PERIOD, DATED SHUNZHI YIHAI NIAN, CORRESPONDING TO THE YEAR 1659
The front of the screen is carved with an elaborate hunting scene centered with a man riding an elephant with female musicians positioned to his right with an inscription stating that the screen was a commission for Mr. Liu Yinji's birthday, with a later inscription on the reverse which laments the political climate of the day, likely an excerpt from Princess Liu's Tang dynasty biography.
94 1/2 in. (240 cm.) high, 17 1/2 in. (44.5 cm.) wide (each panel)

A VERY RARE CHINESE COROMANDEL LACQUER TWELVE-PANEL SCREEN QING DYNASTY, SHUNZHI PERIOD, DATED SHUNZHI YIHAI NIAN, CORRESPONDING TO THE YEAR 1659 The front of the screen is carved with an elaborate hunting scene centered with a man riding an elephant with female musicians positioned to his right with an inscription stating that the screen was a commission for Mr. Liu Yinji's birthday, with a later inscription on the reverse which laments the political climate of the day, likely an excerpt from Princess Liu's Tang dynasty biography. 94 1/2 in. (240 cm.) high, 17 1/2 in. (44.5 cm.) wide (each panel) The Collection of the Duke of Westminster. Sotheby's, London, 28 February 1975, lot 145. Sotheby's, London, private sale. Acquired by Ann and Gordon Getty from the above. Sir H. Garner, Chinese Lacquer, London, 1979, pl. 205. Please note lots marked with a square will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) on the last day of the sale. Lots are not available for collection at Christie’s Fine Art Storage Services until after the third business day following the sale. All lots will be stored free of charge for 30 days from the auction date at Christie’s Rockefeller Center or Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Operation hours for collection from either location are from 9.30 am to 5.00 pm, Monday-Friday. After 30 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Please consult the Lot Collection Notice for collection information. Please note lots marked with a square will be move… Read more
Lot Essay The present screen is carved on the upper left section with a dedicatory birthday inscription to Mr. Li Yintai, that was composed by relatives led by Mr. Guo Mingfeng along with others in the year of Shunzhi yihai nian, corresponding to 1659. According to Huguang tongzhi (The General Records of Hunan and Hubei Provinces) published in 1684, Guo Mingfeng was appointed in the ninth year of Shunzhi (1652), to become the zhifu (magistrate) of Huangzhou prefecture. The term ‘coromandel’ refers to a type of lacquer first made in seventeenth-century China. The technique combines lacquering, carving and polychrome painting in producing large-scale works with elaborate decoration on wooden surfaces. With its complex production process, this lacquering technique did not gain popularity until the Kangxi period (1662-1722), and it is extremely unusual to find a coromandel lacquer screen made before that period. The only other recorded example made before the Kangxi period, appears to be the Xi Yuan Ya Ji coromandel screen currently in the Zhumadian City Museum in China, which is dated to the eighteenth year of Shunzhi, corresponding to 1661. The present screen is also rare for its decoration of a hunting scene featuring huntresses on horseback. One other coromandel screen dated to the early Qing dynasty, depicting a hunting scene, but featuring only male hunters, is in the Palace Museum, Beijing, illustrated in The Complete Collection of Ming and Qing Furniture in the Palace Museum Vol. 20, Beijing, 2015, no. 136, pp. 518-519.

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