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UTAGAWA HIROSHIGE (1797-1858), a rare album of 69 views from Rokujuyoshu Meisho Zue
英国
2022年11月15日 开拍
拍品描述 翻译

UTAGAWA HIROSHIGE (1797-1858)
EDO PERIOD, C.1853-58

A rare Japanese album of woodblock prints, containing sixty-nine views from the series Rokujuyoshu Meisho Zue (Famous Views of the Sixty-odd Provinces), each signed Hiroshige ga, published by Koshimuraya Heisuke; the opening and last pages made of a vertical oban diptych, also by Hiroshige, depicting many cranes flying over crashing waves, signed on the lower sheet Hiroshige hitsu and sealed Ichiryusai, published by Izumiya Ichibei (Kansendo), 1858; the second page a woodblock print with calligraphy before a red sun, a bonsai tree on a table underneath it, the text mentioning the publisher Izumiya Ichibei (Kansendo), each sheet oban tate-e, 36.3cm x 24.8cm.

Provenance: an English private collection, purchased in Ferndown in the 1980s, by repute.

Hiroshige was considered a master of ukiyo-e (‘pictures of the floating world’), and specialised in landscapes, at a time when travelling around Japan was becoming more popular. Many designs in this series are based on illustrations from old Japanese guidebooks, and on early volumes of the famous Hokusai Manga (‘Hokusai Sketches’). This was the first time that a vertical format was used for a major landscape series. Hiroshige probably chose it as the guidebooks illustrations also had vertical compositions, and this format allowed for better binding than horizontal prints. In this series, Hiroshige experimented with modern compositions, using Western perspective to create a sense of distance from an elevated viewpoint. His distinctive bokashi technique creates subtle colour graduation and shading which also add depth to the compositions.

The pictures depict a world on the brink of change, however: a few months later, the Black Ships that contributed to the opening of Japan arrived, and provincial boundaries that had existed since the 9th century would be rewritten by the Meiji administration a few years later.

Hiroshige’s prints inspired many Western artists in the late 19th century, in particular French Impressionists and other painters following the trend for Japonisme. James McNeill Whistler owned prints from this very series, and he included some in his painting entitled ‘Caprice in Purple and Gold: The Golden Screen’, where a European beauty is depicted studying them.

Bound albums containing series of prints such as this one are very rare as the pictures were often separated to be sold individually. According to the owner, the album was carefully protected from daylight and rarely opened in the last forty years, which probably explains the prints’ fantastic condition and bright colours.?

  1. Opening page (diptych)
  2. Frontispiece for Izumiya Ichibei
  3. Yamashiro, The Togetsu Bridge in Arashiyama
  4. Yamato, Tatsuta Mountain and Tatsuta River
  5. Kawachi, Mount Otoko in Hirakata
  6. Izumi, Takashi Beach
  7. Settsu, Sumiyoshi, Idemi Beach
  8. Iga, Ueno
  9. Ise, Mount Asama, Teahouses on the Mountain Pass
  10. Shima,,Mount Hiyori and Toba Harbor
  11. Owari, Tsushima, Tenno Festival
  12. Mikawa, Horai Temple Mountains
  13. T?t?mi, Lake Hamana, Kanzan Temple in Horie and the Inasa-Horie Inlet
  14. Suruga, Miho Pine Grove
  15. Kai, Monkey Bridge
  16. Izu, The Hot Springs of the Shuzenji Temple
  17. Sagami, Enoshima, The Entrance to the Cavesa
  18. Musashi, Sumida River, Snowy Morning
  19. Edo, Asakusa Fair
  20. Awa, Kominato, Uchiura
  21. Kazusa, Yasashikaura (Kujukuri)
  22. Shimousa, Choshi Outside Beach
  23. Hitachi, Kashima Daijingu Shrine
  24. Omi, Lake Biwa, Ishiyama Temple
  25. Mino, Yoro Waterfall
  26. Hida, Basket Ferry
  27. The Moon Reflected in the Sarashina Paddy-fields, Mount Kyodai
  28. Mount Haruna Under Snow
  29. Mount Nikko, Urami Waterfall
  30. View of Matsushima, Sight Map from Mount Tomi
  31. Mogami River, A Perspective View of Mount Gassan
  32. A Fishing Boat Catching Flat Fish in a Net
  33. Tsuruga, Kehi Pine Grove
  34. The Eight Wonders of Kanazawa, The Fishing Fires on Lake Renko
  35. Waterfall Bay
  36. Toyama, Pontoon
  37. Oyashirazu
  38. The Goldmines
  39. Maiko Beach
  40. Yamabushi Valley
  41. Tanokuchi Coast, Yugasan torii.
  42. Gokei
  43. Abuto, Kannon Temple
  44. Itsukushima, Depiction of a Festival
  45. Iwakuni, Kintai Bridge
  46. Shimonoseki
  47. Kanegasaka
  48. Ama no hashidate
  49. Iwai Valley, Kannon Cave
  50. Karo, Koyama
  51. Ono, Distant View of Mount Daisen
  52. Taisha, Depiction of Hotohoto
  53. Mount Takazuno, Salt Beach
  54. Takuhi Shrine
  55. Waka no ura
  56. Goshiki Beach
  57. Naruto Whirlpools
  58. Distant View of Mount Zozu
  59. Saijo
  60. Bonito Fishing at Sea
  61. Hakozaki, Umi no Nakamichi
  62. The Currents Around the Weir
  63. The Passage Under the Rakan Monastery
  64. Minosaki
  65. Nagasaki, Mount Inasa
  66. Gokanosho
  67. Aburatsu Port, Obi Oshima
  68. Sakura shima
  69. Bo Bay, The Two-sword Rocks
  70. Shisa
  71. A Fine Evening on the Coast, Tsushima Province
  72. End page (diptych)

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