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Jean-Étienne Liotard (1702-1789)
英国
2022年12月07日 开拍 / 2022年12月05日 截止委托
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Jean-étienne Liotard (1702-1789) Portrait of Gaspard de Péleran (d. 1747 Smyrna [Izmir], Turkey), bust-length, wearing a navy blue coat with gold embroidered trim and white stock, circa 1738 enamel on copper, oval 4.5 x 3.8cm Provenance: By repute Italian family of noble descent, Biel, Switzerland, until circa 1980; Private collection Best known for his delicate pastel drawings, Jean-étienne Liotard (1702-1789) initially studied miniature and enamel painting in his native Geneva, producing his first dated work in enamel in 1722, before turning his attention to pastels. The present portrait is one of only approximately thirty known enamel miniatures by Liotard and thus a rare example of his mastery of the enamelling technique. The sitter, Gaspard de Péleran (d. 1747 Smyrna [Izmir], Turkey) was a diplomat and French consul in Smyrna between 1731 and his death in 1747. He was the son of Pierre Armand de Péleran, French consul in Aleppo, and his wife Anne Victoire Fornetti (b. Constantinople 1667-1747), daughter of Jean-Baptiste Fornetti (1618-1694) drogman – the official interpreter of the Ambassador at the Constantinople French legation. A red and black chalk drawing of this sitter by Liotard is at the Louvre (see illustration below), which shows him lounging on a Turkish divan and wearing a similar coat as seen in the present miniature, with an identical distinctive design of gold lace. This drawing along with its pendant of his wife, Marie Boyer (1710-1786), whom he had married in 1732, are amongst 30 drawings that Liotard executed during his stay in Turkey between 1738 and 1742. In 1738, Liotard embarked on an expedition to Constantinople upon the invitation of William, Lord Ponsonby, later 2nd Earl of Bessborough and John Montagu, 4th Earl of Sandwich. They sailed from Naples on 3rd April 1738 and having passed by a number of Mediterranean islands, they stopped to spend a few weeks in Smyrna (today’s Izmir). It was almost certainly here, that Liotard would have encountered Gaspard de Péleran, who was the French consul there at the time, and who also appears to be Liotard’s first known sitter upon his arrival in the Ottoman lands. Following his stay in Smyrna, Liotard finally arrived at Constantinople in August 1738, where he settled for four years and painted numerous diplomats, wealthy merchants and locals. Intrigued by the native dress, Liotard himself adopted the custom of dressing as a Turk and grew a luxuriant beard, which earned him the nickname ‘The Turkish Painter’. Amongst his sitters in Constantinople was John Manners, Marquess of Granby (1721-1770) whose likeness Liotard captured both in pastel and in enamel. Alongside the present miniature of Péleran, the portrait of the Marquess of Granby is the only other known enamel from Liotard’s Turkish period. The present lot is being sold with a letter of authentication from the late Prof. Dr Marcel Roethlisberger, author of Liotard’s catalogue raisonné, published in 2008. Having examined this miniature in person in 2019, Prof. Dr Roethlisberger confirmed the attribution to Liotard and dated it to circa 1738, quite reasonably imagining it, like the Louvre drawing, was done whilst Liotard had stopped in Smyrna en route for Constantinople. If not actually painted in Smyrna, Roethlisberger postulated that it might have been done in Constantinople during Liotard’s time there as Péleran would not only at times have gone there from Smyrna to consult with his Ambassador to the Ottoman court, but almost certainly would have visited his widowed mother who died there, in the city where she was born, in 1747, five years after Liotard had left.

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