| 中文版 English

具体要求

其它要求

-
关闭
A ‘QIANJIANG CAI’ ENAMELED ‘SEVEN MONKEYS’ PLAQUE, STUDIO OF PAN TAOYU (1887-1926)
奥地利
2023年03月10日 开拍
拍品描述 翻译
A ‘QIANJIANG CAI’ ENAMELED ‘SEVEN MONKEYS’ PLAQUE, STUDIO OF PAN TAOYU (1887-1926)
China, Jingdezhen. The rectangular plaque painted in green and blue tones with seven monkeys frolicking, each with a comical and mischievous expression, a pair with a young seated below a tree playing the flute and pointing upwards, a young monkey playing with a lamp at the tree top, and two monkeys perched on a branch holding a stick trying to reach out to another monkey hanging on a tendril.

Inscriptions: Center left, inscribed ‘Guanyin fenghou’ (a wish for a speedy promotion), one seal of the artist, ‘Gu huan’ (ancient joy).

Provenance
: From the private collection of a doctor, Connecticut, USA.
Condition: Very good condition with some old wear and little rubbing. The frame with few small nicks and scratches.

Weight: 3,340 g
Dimensions: Image size 40.8 x 25.3 cm, Size incl. mounting 47.8 x 32.3 cm

In a hardwood frame with metal mount, both from the period. (2)

Gu huan (ancient joy) is the studio name that belongs to Pan Taoyu (1887-1926), a porcelain master from Jingdezhen. The emergence of the market for fine decorative art porcelains was an important development and brought a fresh and vibrant energy to porcelain making in China during the Republic period. Pan Taoyu was one of the most important pioneers and masters of porcelain painters in the early 20th century. With his superb ability to depict delicate fine shadings, Pan achieved excellence in painting a wide range of objects on porcelain, including figures, landscapes, and bird-and-flowers motifs. Among Pan Taoyu’s students are Wang Yeting, Liu Yucen and Cheng Yiting, all important members of the celebrated ‘Eight Friends of Zhushan’ group who were among the best fencai masters of the Republic period. Pan Taoyu died young, and very few of his personal works survived.

Qianjiang is a term used to describe a type of over-glaze enameled ware that was very popular during the Late Qing/Early Republican Period. The term Qianjiang cai (enamels) or Qianjiang porcelain was only coined in the 1950s. Prior to that, annals or commentaries in the late Qing and Republican periods did not classify it as a new distinctive type of over-glaze enamel decorative technique on porcelain. The term was initially used to describe a distinct style of landscape painting by the Yuan master Huang Gongwang. It is typified by the use of a particular color scheme: varying ink tones for outlines and reddish-brown for other aspects such as foliage, flowing water, mountain shades etc. The term was subsequently used to describe a porcelain painting style that used similar techniques but with additional colors such as aquamarine, moss green, pale blue, red and light pink.

The relationship between qianjiang and fencai painting has caused quite a bit of confusion. In terms of the decorating medium, qianjiang utilizes fencai enamels. The main difference is actually the source of inspiration for the painting because the Qianjiang school draws its inspiration from the Chinese literati style, whereas the typical fencai work is more akin to gongbi painting. For fencai painting, the areas within the outlines of the motif are first applied with an arsenic-based opaque white pigment. The deeper and lighter tones are then obtained by mixing the enamels with different amounts of this opaque substance. For Qianjiang, the enamels are applied directly without the opaque white pigment. Hence, the enamels are thin and lack tonal gradations, especially on the early qianjiang works.

Monkeys are a popular motif in Chinese art. Shown together with the inscription, they symbolize the wish for immediate success or a speedy promotion of young candidates.

Literature comparison:
Examples of Pan Taoyu’s personal porcelain paintings are illustrated by Simon Kwan, Chinese Porcelain of the Republic Period, The Muwen Tang Collection Series, Hong Kong, 2008, p. 68-73, and on the cover.

Auction result comparison:
Type: Related
Auction: Bonhams London, 10 November 2011, lot 569
Price: GBP 361,250 or approx. EUR 641,000 converted and adjusted for inflation at the time of writing
Description: A rare pair of enameled fan-shaped plaques, circa 1900-1920, signed by Pan Taoyu (circa 1887-1926)
Expert remark: Note that the lot comprises two fan-shaped plaques and that these are personal (not studio) works by the master. Note also the much larger size (54 cm).



潘匋宇(1887-1926)淺絳彩《卦印封侯》瓷板
中國,景德鎮。長方,此橫幅作品以一角構圖,繪樹上樹下幾隻靈猴或是掛於樹間,或是在樹下戲耍。樹上有一隻手正努力把一個印掛在樹上。畫法細膩,樹枝凹凸斑駁處著意用粉彩渲染,色澤由暗漸明,可見是經過層層暈染方成,極富立體感。以靈猴裝飾瓷器,明清時較為少見,但從晚清民國的瓷器鳥獸畫來看,藉著吉祥“封侯”之寓意,在作品中繪以雅趣。

款識:卦印封候;鈴印:古歡

來源:美國康涅狄格州醫生私人收藏。
品相:狀況極好,有一些磨損和少量磨損。木框上有一些小劃痕。

重量:3,340 克
尺寸:畫面40.8 x 25.3 釐米,總47.8 x 32.3 釐米

硬木框金屬架,應爲來自同期。

潘匋宇(約1887-1926)又名古歡,齋名古歡齋,新粉彩奠基人之一。潘匋宇出生於書香門第,其父次山,亦善繪事,潘匋宇自小受其影響頗深,對繪畫耳濡目染。1911年任江西省立甲種工業學校國畫教師,執教之餘,常繪彩瓷,擅長粉彩,作畫清淡雅麗,花鳥、人物均重神韻,從不刻意求工。珠山八友中的劉雨岑、程意亭、汪野亭均出自潘氏門山。其作品領一時風騷,開一時風氣,而影響後世,傳世不多,尤為難得。

淺絳彩是用來描述一種在清末民初非常流行的釉上琺瑯器的術語。淺絳彩(琺瑯)或淺絳彩瓷這個詞是在 1950 年代才創造的。 在此之前,晚清民國時期的志書或評論均未將其列為一種別具一格的技法。 這個詞最初被用來描述元代大師黃公望的一種獨特的山水畫風格。它使用了特定的配色:以不同墨色調畫輪廓,其他部分如樹葉、流水、山影等,則上紅褐色。但還有其他顏色配色,如海藍寶石色、苔綠色、淡藍色、紅色和淺粉色。

淺絳彩與粉彩畫常讓人感到混亂。淺絳彩多採用粉彩繪畫,主要區別實際上是繪畫的靈感來源。因為淺絳彩從中國文人風格中汲取靈感,而典型的粉彩作品更類似於工筆劃。粉彩畫的畫法是先在圖案輪廓內的區域塗上不透明白色顏料,然後將琺瑯與不同份量的這種不透明物質混合,調出更深和更淺的色調。淺絳彩則是不使用不透明的白色顏料,而是直接上釉。因此早期的淺絳彩作品,釉質較薄且缺乏色調層次。

文獻比較:

潘匋宇的個人瓷板畫作,見 Simon Kwan,《Chinese Porcelain of the Republic Period,The Muwen Tang Collection Series》,香港,2008年,頁68-73,以及封面。

拍賣結果比較:
形制:相近
拍賣:倫敦邦瀚斯,2011年11月 10日,lot 569
價格:GBP 361,250(相當於今日EUR 641,000
描述:潘匋宇一對扇形琺瑯瓷板約1900-1920年
專家評論:請注意此為一對扇形瓷板,以及是個人作品。請注意尺寸較大 (54 厘米)。

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
50
50
600
100
1,600
200
4,000
500
8,000
1,000
16,000
2,000
40,000
5,000
80,000
10,000
160,000
20,000
+

价格信息

拍品估价:700 - 1,400 欧元 起拍价格:700 欧元  买家佣金: 35.00%

拍卖公司

Galerie Zacke
地址: Sterngasse 13, 1010 Vienna, Austria
电话: 0043-1-5320452
邮编: 1070
向卖家提问

小贴士

1. 一般拍卖公司接受的付款方式有以下几种:
现金、信用卡、转账汇款、银行支票、个人支票以及PayPal支付。
使用PayPal支付时,请留意需要在账单金额的基础上额外加上 4% 的手续费。
2. 信用卡的种类有以下几种:
3. 转账汇款时请注意银行手续费
海外拍企会要求足额到账,所以请您在汇款时,选择足额到账,或在汇款金额的基础上加上汇款手续费(如25美金)。
4. 国际转账汇款时, 您需要知道海外拍卖行以下汇款信息:
* 收款人名称
* 收款人地址
* 收款人银行账号
* 收款银行国际编码(8位字母数字组合,必填项, 如: BFKKAT2K)
* 收款银行清算码(9位数字组合,选填项)
* 收款银行名称
* 收款银行地址
5. 运输相关事项
有的海外拍卖行会替您安排和协调运输, 您只需要支付相关的运费及保险费(如您需要)即可;有的海外拍卖行会推荐几家长期合作的运输公司, 这些运输公司有着良好的信誉和高质量的工作效率,您大可放心。您只需要提供您的收货地址, 竞得拍品账单。 运输公司会根据您提供的信息给您报价, 您可以在其中选择最优的报价者来承担运输任务。然后就是付款了, 信用卡是最常用的支付手段, 当然还有其他像PayPal,转账等。
6. 进口通关可能出现的关税
国际运送的包裹在进口清关过程中如需支付关税,需由包裹接受人(即买家)自行承担。 征收标准:具体征收标准和额度以海关通知和解释为准。
7. 禁拍拍品
海外拍卖会可能会出现中国法律禁止交易的物品,如枪支、管制刀具、象牙、犀角等;中国买家不得通过本平台参与上述物品的拍卖活动;任何情形下,买家均须对自己的竞拍行为独立承担责任。
服务热线:400-608-1178
查看全部小贴士