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全球拍卖首页 > Galerie Zacke > 中國藝術集珍（二） > Lot 540
‘RED AND WHITE COTTON ROSES’, A PAIR OF SILK PAINTINGS AFTER LI DI (C. 1100–AFTER 1197)
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2023年03月10日 开拍
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‘RED AND WHITE COTTON ROSES’, A PAIR OF SILK PAINTINGS AFTER LI DI (C. 1100–AFTER 1197)
China, 19th century. Ink and watercolors on silk, with Japanese silk brocade frames and mounted as hanging scrolls. Each finely painted with two hibiscus blossoms borne on leafy stems, one depicting the flowers in the morning when they are white and the other showing them later in the day, as they gradually turn first pink and finally crimson red.

Inscriptions: To each painting, upper left, inscribed ‘Painted by Li Di in the Year of Dingsi in the Qingyuan era’ (corresponding to 1197). Each scroll with a Japanese seal reading ‘Divine Class, Copy by Shimbi Shoin’.

Provenance: From the collection of Felix Tikotin, and thence by descent within the family. The wood storage box with two old labels from the Shimbi Shoin, Tokyo, another inscribed ‘2/16/-’, and a fourth with an illegible inscription. Shimbi Shoin was a Japanese publisher, active between ca. 1899 and 1938, noted as the premier venue for art reproductions that were highly acclaimed for their superior quality and technical excellence. Felix Tikotin (1893-1986) was an architect, art collector, and founder of the first Museum of Japanese Art in the Middle East. Born in Glogau, Germany, to a Jewish family, his ancestors had returned with Napoleon from Russia from a town named Tykocin. He grew up in Dresden and after World War I, he traveled to Japan and immediately fell in love with the culture. In April 1927, he opened his own first gallery in Berlin. The entire family survived the holocaust, and in the 1950s Tikotin slowly resumed his activities as a dealer in Japanese art. He became, once again, very successful and prominent, holding exhibitions all over Europe and the United States. When he first visited Israel in 1956, he decided that the major part of his collection belonged in that country. In 1960, the Tikotin Museum of Japanese Art was opened in Haifa.
Condition: Good condition with minor wear, some creasing, small tears and losses.

Dimensions: Image size 24.3 x 25.2 cm (each), Size incl. mounting 126.5 x 39 cm (each)

With an old wood storage box. (3)

Hibiscus mutabilis, also known as the cotton rose, is a plant long cultivated for its showy flowers. Floral color change occurs in H. mutabilis when flowers are white in the morning, turning pink during noon, and red in the evening of the same day. In Japan, they are also known as ‘drunk cotton roses’ (suifuyo) due to this color change from white to red, as depicted on these two hanging scrolls.

Li Di (c. 1100 - after 1197) was a Chinese imperial court painter in the Song Dynasty. He was born in Heyang (present-day Meng County in Henan Province) and was noted for painting flowers, birds, bamboo, and animals in motion. Di was a member of the Academy of Worthies (Jixianyuan). Evidence that he was active as a painter during the latter half of the twelfth century is provided by the dates he wrote on some of his works and also from the career of his son, Li Demao (active late twelfth - early thirteenth centuries), who, not surprisingly, also became a painter in the Imperial Painting Academy.

Literature comparison:
The original pair of hanging scrolls depicting cotton roses by Li Di is in the Tokyo National Museum, object number TA-137.



李迪(約1100-1197年後) 風格《紅白芙蓉圖》
中國，約十九世紀，絹本水墨設色，日本裝幀，掛軸。色彩富麗，暈染採用沒骨畫的技巧，過渡自然，表現出芙蓉花瓣形態及色彩細微的變化特徵。色彩細膩而透明。

款識：慶元丁巳嵗李迪畫；收藏印：神品 審美書院複製

來源：Felix Tikotin收藏，在同一家族保存至今。木盒上有兩個東京審美書院的舊標籤，另一個上有 ‘2/16/-‘字樣，第四個標籤上有款。審美書院是日本出版商，活躍於 1899 年和 1938 年間，因其藝術複製品卓越的品質和卓越的技術而備受讚譽。Felix Tikotin (1893-1986) 是一位建築師、藝術收藏家，也是中東第一家日本藝術博物館的創始人。他出生在德國格洛高的一個猶太家庭，他的祖先隨拿破崙從俄羅斯一個名叫提科欽的小鎮返回。他在德勒斯登長大，第一次世界大戰後前往日本旅行，並立即愛上了它的文化。1927 年 4 月，他在柏林開設了自己的第一家藝廊。二戰時，整個家庭在大屠殺中倖存下來。1950 年代，Tikotin 慢慢恢復了他作為日本藝術品經銷商的活動。他非常成功，在歐洲和美國各地舉辦展覽。當他在 1956 年第一次訪問以色列時，他決定把他的大部分收藏都捐贈給以色列。1960 年，Tikotin 日本藝術博物館在海法開放。
品相：狀況良好，有輕微磨損、一些摺痕、小撕裂和缺損。

尺寸：畫面分別為24.3 x 25.2 厘米，總126.5 x 39 厘米 (每幅)

木盒 (3)

文獻比較：
一對李迪原作的絹本設色《紅白芙蓉圖》，收藏於東京國立博物館，藏品編號 TA-137。

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