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‘A RIVER LANDSCAPE’, BY PAN GONGSHOU (1741-1794)
奥地利
2023年03月10日 开拍
拍品描述 翻译
‘A RIVER LANDSCAPE’, BY PAN GONGSHOU (1741-1794)
China. Ink on paper, mounted as a hanging scroll. Finely painted with a mountainous river landscape with a few houses and pavilions nestled between boldly executed trees, above a single figure paddling in a boat.

Inscriptions: To the painting, upper left, inscribed ‘Lianchao jushi Pan Gongshou’, dated ‘on a summer day in the Year of Wuwu in the Jiaqing era’ (corresponding to 1798), and inscribed ‘in the style of Gao Fangshan’ (Gao Kegong, 1248-1310); two seals of the artist, ‘gong’ and ‘shou’. Lower right, two seals. To the mounting, to the left beside the painting, inscribed by Wu Yun (1811-1883), ‘The exquisite brushwork by Lianchao Jushi [Pan Gongshou] is attributed to the yipin class. This painting is in the style of Gao Fangshan, it is especially excellent. In the Spring of the Year of Yihai [corresponding to 1875], Yuting Wu Yun’; one seal, ‘Pingzhai shending’. To the mounting, to the right beside the painting, inscribed by Tang Yusheng (1778-1853), ‘Pan Gongshou, artist name Shenfu, sobriquet Lianchao, came originally from Dantu. Wen Hengshan [Wen Zhengming, 1470-1559] titled. It was said that the painting by Wang Menglou [Wang Wenzhi, 1730-1802] was in the style of Gao Kegong and signed by himself. It is really an exceptional painting. Written on a summer day in Jilong shanlu’; two seals. The scroll with an old label, inscribed ‘Pan Gongshou, Landscape, Authentic’.

Provenance: Collection of W. W. Winkworth, 1966. The Oliver Impey Collection of Modern Paintings, acquired from the above. William ‘Billy’ Wilberforce Winkworth (1897-1991) was a legendary collector of Asian art. The Oriental Ceramic Society was founded at his father's home in 1921. After military service in World War I, he joined the British Museum in 1922 under R. L. Hobson in the Department of Ceramics, leaving in 1926 to become a full-time collector and 'marchand amateur'. Between around 1948 and 1970 he was a part-time cataloger at Sotheby’s, working on Japanese netsuke, lacquer, and sword fittings. He was famous for his eye and range of connoisseurship, especially in ceramics, and exercised a great influence on his generation of British collectors. Oliver Impey (1936-2005) was the President of the Oriental Ceramics Society (1997-2000), a noted curator at the Ashmolean Museum in Oxford, and a leading authority on the arts of Japan. He studied at the University of Oxford, completing his thesis while working in London at Sotheby's, where his connoisseurship and remarkable breadth of knowledge began to develop, as well as his intimate knowledge of the art trade and vigilant eye for a bargain. In 1967, he was appointed Assistant Keeper for Japanese Art at the Ashmolean, and was able, as a Sotheby's colleague put it rather bluntly, to move “straight from the whorehouse to the nunnery”. For nearly four decades, Impey was a tireless acquirer of fine objects, vastly expanding the Museum's holdings. He designed and raised the funds for a new Japanese Decorative Arts gallery to house these treasures and he also befriended several generous benefactors, who made important donations to the Museum. The respect with which he was held in Japan was marked by the award of the Koyama Fujio Memorial Prize in 1997. His personal collection contained works by major masters from Japan, China, and several other Asian countries, of which many were sold by Christie’s in Hong Kong in the late 2000s.
Condition:
Very good condition with minor wear and soiling. The mounting with some wear, creases, and minor losses.

Dimensions: Image size 61 x 31.5 cm, Size incl. mounting 216 x 45.7 cm

Pan Gongshou (1741-1794), also known as Lianchao, was born in Dantu, near today’s Zhenjiang, Jiangsu province. He was a painter, seal carver and poet, famous for his landscapes, figural motifs, and still lifes. Many of his paintings depict poetic inscriptions, and Pan is also known to have collaborated with other calligraphers such as Wang Wenzhi. His works can be found in the collection of the National Art Museum of China, among many other museums.

Expert’s note: The present painting is notable for its appreciative post-mortem inscription by Pan Gongshou’s frequent collaborator Wang Wenzhi (1730-1802), which has a posthumous dating of 1798. The superior quality of the painting, as further attested to by the numerous laudatory collectors’ inscriptions to the mounting, as well as the old and illustrious Winkworth and Impey provenances, leave absolutely no doubt as to the authenticity of the painting.

Auction result comparison:
Type: Related
Auction: Duo Yun Xuan, Shanghai, 30 November 2020, lot 1027
Hammer price: EUR 25,437 (converted by Artprice at the time of writing)
Description: Pan Gongshou (1741-1794), Landscape (1784), watercolor and ink on silk
Expert remark: Note the size (88 x 48 cm), the similar style and the numerous inscriptions



潘恭壽
(1741-1794)《摹高房山筆》
中國,紙本設色,掛軸。峻岩怪石突兀而立,雜樹挺立濃郁,水閣依山臨水,近景一漁夫讀作江舟。境界幽美,深厚蒼渾。

款識:摹高房山筆嘉慶戊午夏日,蓮巢居士潘恭壽 ;鈴印:恭,壽蓮巢居士
蓮巢居士筆法精妙,?為逸品。此幅仿高房山,尤屬出神之?也。乙亥小春愉庭吳雲?;鈴印:平齋審定
潘恭壽字慎夫,號蓮巢,丹徒籍,??文畫宗文衡山(文徵明1470-1559)署題,都傳王夢樓(王文治 1730-1802)此幀模高尚書而自署。?誠真妙昌也。丁酉夏日貽汾題於雞籠山麓;鈴印:雨生

來源:W. W. Winkworth收藏,1966年;Oliver Impey現代水墨收藏,購於上述收藏。William ‘Billy’ Wilberforce Winkworth (1897-1991) 是亞洲藝術的傳奇收藏家。 東方陶瓷學會於 1921年在他父親的家中成立。第一次世界大戰服完兵役後,他於 1922 年加入大英博物館陶瓷部,師從 R. L. Hobson,1926年離職,成為一名全職收藏家和“業餘商人”。大約在 1948 年至 1970 年間,他在蘇富比拍賣行擔任兼職編目員,從事日本根付、漆器和刀劍配件的研究。他以其眼光和鑑賞範圍而聞名,尤其是在陶瓷方面,對他那一代的英國收藏家產生了巨大影響。Oliver Impey (1936-2005) 曾任東方陶瓷學會會長(1997-2000),牛津阿什莫林博物館著名策展人以及日本藝術領域的權威。 他曾就讀於牛津大學,在倫敦蘇富比工作期間完成了論文。在蘇富比,他的鑑賞力和非凡的知識得以發展,以及他對藝術貿易的深入了解和對交易的警惕眼光。1967 年,他被任命為阿什莫林日本藝術助理管理員。在近四十年的時間裡,Impey 孜孜不倦地收購精美物品,極大地擴大了博物館的藏品。他為一個新的日本裝飾藝術藝廊設計並籌集了資金來收藏這些珍品。他還結交了幾位慷慨的捐助者,他們為博物館提供了重要的捐贈。他在日本受到的尊重並於1997 年獲得小山富士夫紀念獎。他的個人收藏包括日本、中國和其他幾個亞洲國家的主要大師的作品,其中許多作品於2000年後期香港佳士得拍賣會上售出。
品相:狀況極好,有輕微磨損和污漬。裝幀有一些磨損、摺痕和輕微損失。

尺寸:畫面61 x 31.5 厘米,總45.7 厘米

潘恭壽(1741-1794),字蓮巢,生於今江蘇鎮江附近的丹徒。 善人物、仕女、竹石圖,晚年喜刻印章,傳世畫跡有藏於中國美術館的《煙雲閣圖》軸等。

拍賣結果比較:
形制:相近
拍賣:上海朵雲軒,2020年11月30年,lot 1027
落槌價格:EUR 25,437 (在Artprice顯示的金額)
描述:潘恭壽1784年《五老圖》
專家評論:請注意尺寸(88 x 48釐米),以及相似的風格和數個不同的題字。

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