HIROSHIGE II. Totsuka: Dumpling Slope (Yakimochizaka). 1865 Xilografia a colori. 245x180 mm. Titolo generale in cartiglio rosso in alto (東海道 五拾三 驛 - Cinquantatre stazioni del Tōkaidō), Titolo della veduta in alto al centro nell’immagine Totsuka - Yakimochizaka (戸塚 焼餅坂 ). In basso a destra firma Rissh? ga (立祥画) entro cartiglio rosso. Stampa incollata su cartoncino di supporto, buona conservazione. Bella veduta che risale alla fine della carriera di Hiroshige II, quando aveva circa trentanove anni. A questo punto, aveva appena iniziato a usare il nome Risshō che compare nel cartiglio rosso in basso a destra.Hiroshige II, pseudonimo di Suzuki Chinpei, 1826 – 1869, pittore e incisore, esperto nell'arte ukiyo-e, ereditò il nome Hiroshige II in seguito alla morte nel 1858 del suo maestro Hiroshige, di cui aveva sposato la figlia. Nel 1865 si trasferì da Edo a Yokohama dopo aver annullato il matrimonio e iniziò ad usare il nome Kisai Risshō . La sua opera somiglia tanto a quella del maestro che gli studiosi le hanno spesso confuse tra di loro.
Condition Report
HIROSHIGE II. Totsuka: Dumpling Slope (Yakimochizaka).1865 Colored woodcut. 245x180 mm. Title in red cartouche on the top (53 Tōkaidō’s stations). Title of view on the top center of the illustration. In the bottom right the signature Rissh? ga (立祥画) within red cartouche. Woodcut glued on cardboard, good condtion. Beautiful view that dates back to the end of Hiroshige II's career, when he was about thirty-nine. At this point, he had just started using the name Risshō which appears in the red cartouche at the bottom right.Hiroshige II, pseudonym of Suzuki Chinpei, 1826 - 1869, painter and engraver, expert in ukiyo-e art, inherited the name Hiroshige II following the death of him in 1858 of his teacher Hiroshige, whose daughter he had married. In 1865 he moved from Edo to Yokohama after canceling the marriage and started using the name Kisai Risshō. His work is so similar to that of the master that scholars have often confused them with each other.
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