| 中文版 English
书画 陶瓷 玉石 佛造像/唐卡 金属器 家具 漆器 竹木牙角 紫砂 鼻烟壶 钱币邮品 名酒 奢侈品 其它
Calendar
Today
< >

具体要求

其它要求

-
关闭
全球拍卖首页 > Doyle New York > 名家私藏艺术品拍卖会 > Lot 339
Pair of George III Inlaid Walnut, Harewood, Tulipwood and Ho
美国 北京时间
2018年01月17日 开拍 / 2018年01月17日 截止委托
上一件 下一件
拍品描述 翻译
Description: Pair of George III Inlaid Walnut, Harewood, Tulipwood and Holly Parquetry and Giltwood Side Tables In the manner of John Linnell, circa 1775 Each breakfronted rectangular top decorated with a central panel of flowerheads on a cubed ground within a border of trellis designs and flowerheads, above a conforming frieze carved with C-scrolls and stylized sunburts, raised on turned circular tapering fluted legs ending in turned feet. Height 32 1/2 inches (82.5 cm), width 43 inches (1.09 m), (depth 20 inches (50.8 cm). Provenance: Sotheby''s, New York, December 13, 1986, lot 264 John Linnell (1729-1796), a cabinet-maker upholsterer and carver was the son of the cabinet-maker William Linnell (b. circa 1703-d.1763), joining his father''s firm in the late 1740s. He studied at St. Martin''s Lane Academy, which had been founded by William Hogarth in 1735, becoming closely acquainted with Rococo design through his contacts with an international group of fellow students. It is obvious that his talent for design which is apparent through his many surviving drawings was a large factor in the rapid expansion of the family firm in the early 1750s. In 1754 new and larger workshops, together with a dwelling house, were opened at 28 Berkeley Square, and at his father''s death in 1763 he inherited a firm employing almost fifty people. The firm had an extensive clientele including William Drake at Shardeloes, the 1st Duke of Northumberland at Syon Park and Alnwick Castle, the 2nd Earl of Shelburne at Lansdowne House and the 5th Duke of Argyll at Inverary Castle. It is apparent that Linnell and the architect Robert Adam had a number of mutual clients and at times must have worked closely together. The present tables, with their geometrical trellis parquetry tops of French transitional breakfront form, suggests a maker familiar with the work of Simon Oeben, the Parisian master ébéniste. Christopher Furlohg and his brother-in-law Georg Haupt, young Swedish cabinet makers newly arrived in London in the late 1760s, had both worked for Oeben in Paris and were introduced to John Linnell by the architect Sir William Chambers. Chambers was born in Sweden to Scottish parents and was helpful in making introductions for Swedes arriving in London. The two Swedes would have been in the vanguard of contemporary French design and, as such, been important sources of inspiration for Linnell and the newly-fashionable French taste in London. Haupt returned to Stockholm in 1769 when he was appointed cabinet maker to the King of Sweden but it appears that Furlohg stayed at bit longer with Linnell. He established premises with his brother-in-law, Johann Christian Linning at 24 Tottenham Court Road by 1772. It is probable that Furlohg continued to supply Linnell with the parquetry panels for which he was so celebrated. A commode with related trellis parquetry panels made by Christopher Furlohg circa 1772 is illustrated by Lucy Wood, The Lady Lever Art Gallery Catalogue of Commodes, 1994, p. 106-114, i-ii. Wood illustrates two other examples with trellis parquetry, a group of three commodes now in The Metropolitan Museum of Art ibid., pp. 110-112, figs 104-106 and figs. 108-109, as well as fig. 110, the pair to the Lady Lever commode. The trellis parquetry enclosing flowerheads is similar to those of a pair of pier tables made by John Linnell for the 5th Duke of Argyll at Inveraray Castle, Argyll, Scotland, circa 1780; see Hayward, H. and Kirkham, P., vol. I, pp. 126-128, figs. 307-208. Another pair with similar parquetry at Heveningham Hall, Suffolk, is illustrated by Hayward, H. and Kirkham, P., op. cit., vol. II, p. 162, figs. 309-310. The fluted tapering legs headed by egg-and-dart-carved collars to the tops of the legs of the present tables are similar to those on a George III mahogany table, circa 1760, now located at the Victoria and Albert Museum, London, acc. no. W.31-1979. This table was designed by James ''Athenian'' Stuart (1713-1788) for the bedchamber of Georgiana, Countess Spencer at Spencer House. Stuart was responsible for the original design of Spencer House, one of the first houses in London to incorporate authentic Greek architectural details. Literature: Furniture History The Journal of the Furniture History Society, 1969, vol. V, ''The Drawings of John Linnell in the Victoria and Albert Museum'', Helena Hayward, Helena Hayward and Pat Kirkham, William and John Linnell, London, 1980, Geoffrey Beard and Christopher Gilbert, The Dictionary of English Furniture Makers 1660-1840, Leeds, 1986, pp. 543-548 The Noel and Harriette Levine Collection

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
100
25
500
50
1,000
100
2,000
250
5,000
500
10,000
1,000
20,000
2,500
50,000
5,000
100,000
10,000
+

流拍

价格信息

拍品估价：40,000 - 60,000 美元 起拍价格：20,000 美元  买家佣金：
落槌价 佣金比率
0 - 300,000 20.00%
300,000 - 3,000,000 15.00%
3,000,000 - 以上 7.00%
服务费：平台服务费为成交总金额（含佣金）的3%

拍卖公司

Doyle New York
Doyle New York
地址： 175 East 87th Street New York, NY 10128
邮编： 10128
向卖家提问

小贴士

1. 一般拍卖公司接受的付款方式有以下几种：
现金、信用卡、转账汇款、银行支票、个人支票以及PayPal支付。
使用PayPal支付时，请留意需要在账单金额的基础上额外加上 4% 的手续费。
2. 信用卡的种类有以下几种：
3. 转账汇款时请注意银行手续费
海外拍企会要求足额到账，所以请您在汇款时，选择足额到账，或在汇款金额的基础上加上汇款手续费（如25美金）。
4. 国际转账汇款时， 您需要知道海外拍卖行以下汇款信息：
* 收款人名称
* 收款人地址
* 收款人银行账号
* 收款银行国际编码（8位字母数字组合，必填项， 如： BFKKAT2K）
* 收款银行清算码（9位数字组合，选填项）
* 收款银行名称
* 收款银行地址
5. 运输相关事项
有的海外拍卖行会替您安排和协调运输， 您只需要支付相关的运费及保险费（如您需要）即可；有的海外拍卖行会推荐几家长期合作的运输公司， 这些运输公司有着良好的信誉和高质量的工作效率，您大可放心。您只需要提供您的收货地址， 竞得拍品账单。 运输公司会根据您提供的信息给您报价， 您可以在其中选择最优的报价者来承担运输任务。然后就是付款了， 信用卡是最常用的支付手段， 当然还有其他像PayPal，转账等。
6. 进口通关可能出现的关税
国际运送的包裹在进口清关过程中如需支付关税，需由包裹接受人（即买家）自行承担。 征收标准：具体征收标准和额度以海关通知和解释为准。
7. 禁拍拍品
海外拍卖会可能会出现中国法律禁止交易的物品，如枪支、管制刀具、象牙、犀角等；中国买家不得通过本平台参与上述物品的拍卖活动；任何情形下，买家均须对自己的竞拍行为独立承担责任。
服务热线：400-608-1178
查看全部小贴士