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ÉMILE GALLÉ (Nancy, France, 1846 - 1904). Art Nouveau soliflore vase, ca. 1898. Acid-etched cameo glass. Signed on one side. Provenance: Spanish private collection, formed between 1970 and 1995.
西班牙 北京时间
09月23日 晚上6点45分 开拍 / 09月21日 下午3点 截止委托
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éMILE GALLé (Nancy, France, 1846 - 1904).
Art Nouveau soliflore vase, ca. 1898.
Acid-etched cameo glass.
Signed on one side.
Provenance: Spanish private collection, formed between 1970 and 1995.
Measurements: 33 cm (height); 9 cm (diameter).
Nature is one of the main sources of inspiration for Gallé, whose style was characterized by capturing the elements in a naturalistic way, as if observed through a macro, at a large size, or in the form of landscapes. This piece is worked in acid, which was the main technique of Gallé's industrial production. This is a cameo glass, which is to make a piece with two or more layers of glass of different colors so that, after immersing it in acid, the decorative motif is in relief on a smooth background of different color. The decoration in this case presents different levels, with variations in relief, with a landscape dominated by slender trees in the foreground and towering mountains in the background. Gallé presented his acid-etched cameo technique at the Paris Exhibition of 1889, with the aim of bringing modernist glass to the public. It was a faster and cheaper form of decoration, resulting in more affordable pieces, mass-produced but handmade, as no stencils were used but the motif was drawn by hand on each piece.
émile Gallé began his career working for his father, who owned a glass and ceramics factory, making designs with floral and heraldic motifs. Very interested in botany, he studied it in depth during his youth, alternating with drawing classes. Between 1862 and 1864, at his father's request, he traveled through Italy, England and Germany, becoming interested in the applied arts but also in subjects that he would later reflect in his works, such as music, philosophy and nature. On his return, he settled in Meisenthal, where the glass furnaces of his family were, in order to fully learn the craft of glassmaker. He also traveled to London and Paris to see the collections of their museums. In 1874 he took over his father's factory, and soon achieved great international success, winning awards at international exhibitions and selling works to major collections and museums. Today, pieces made by émile Gallé can be seen in the Hermitage Museum in St. Petersburg, the Metropolitan Museum in New York, the Orsay Museum in Paris, the Brohan Museum in Berlin and the Victoria & Albert Museum in London, among many others.
Nature is one of the main sources of inspiration for Gallé, whose style was characterized by capturing the elements in a naturalistic way, as if observed through a macro, at a large size, or in the form of landscapes. This piece is worked with hydrofluoric acid, which was the main technique of Gallé's industrial production. It is a cameo glass, which is to make a piece with two or more layers of different colored glass so that, after immersing it in the acid, the decorative motif is in relief on a smooth background of different color. The decoration in this case has three levels, with variations in relief, the dark motif on the light background and, finally, a twilight sky of ocher tone. Gallé presented his acid-etched cameo technique at the Paris Exhibition of 1889, with the aim of bringing modernist glass to the public. This is a faster and cheaper way of decoration, so the result was more affordable pieces, mass-produced but handmade, since no templates were used but the motif was drawn by hand on each piece.

Dimensions

33 cm (height); 9 cm (diameter).

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