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YONGLE-XUANDE PERIOD (1403-1435)
The figure is cast seated on a lotus base in a variant of the royal ease posture, rajalilasana, with the left leg bent horizontally and right leg bent vertically, the body turned to the left with both hands held together in anjali mudra, a gesture of offering and veneration, the facial features are finely detailed with lips indented to provide a smiling expression, crowned with an elaborate diadem before a high topknot, adorned with a complex network of beaded jewels falling about the bare torso and over the dhoti finely detailed with florettes. Accompanied by a copy of Art and Faith at the Crossroads: Tibeto-Chinese Buddhist Images and Ritual Implements from the 12th to the 15th Century by Robert R. Bigler, Zurich, 2013.
5 ? in. (13.3 cm.) high