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The first, composed of Tang dynasty elements depicting the Daoist
divinity Laozi, seated with his arms resting on a three-legged arm
rest, the drapery of his robes overhanging a waisted lotus plinth
rising from an octagonal base, now attached with solder to a gilt
metal four-legged stand, the flaming mandorla topped with a seated
Buddha and originally meant for a Buddhist figure of Guanyin also
a later addition to the sculpture; the second a Tang period standing
figure of Guanyin holding a fly whisk in the raised right hand and a
vase in the lowered left hand while standing on a waisted lotus plinth
supported on a reticulated four-legged stand, the tenon projecting
from the back of the head meant to hold a now-lost mandorla
(losses).
5 3/4 and 4 1/2in (14.5 and 11.5cm) high