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AN EXCEPTIONAL FAMILLE ROSE ENAMELED PRESENTATION VASE Republic period, dated by inscription to 1947 Approx Height 38.5cm
澳大利亚 北京时间
12月01日 上午9点 开拍 /5天21小时
拍品描述 翻译
AN EXCEPTIONAL FAMILLE ROSE ENAMELED PRESENTATION VASE
Republic period, dated by inscription to 1947
This vase, with its noble and graceful shape, features exquisite double handles attached between the rim and shoulders. The entire piece is richly decorated, with a splendid array of colors that create an immediate impression reminiscent of the grandeur of Qianlong imperial porcelain. The belly of the vase is adorned with symmetrically curling Western-style flowers against a gilded background, exuding a golden brilliance. Each side has a begonia-shaped cartouche, delicately painted with auspicious scenes depicting the Four Occupations (fisherman, woodcutter, farmer, and scholar) along with symbolic motifs like "Spring Swallows in the Apricot Grove" and "Pines and Cranes for Longevity." The artwork is finely executed, with elegant and refined colors that lend a sense of literati charm and symbolic auspiciousness, embodying the profound essence of Chinese traditional culture. The base bears a red "Year 36 of the Republic of China" inscription in seal script, along with a "Zhongzheng" red stamp within a single frame. The intricate seal script adds a touch of refined antiquity. The porcelain body is dense and delicate, and the glaze is lustrous and smooth, making it a quintessential masterpiece.

This piece is part of the "Victory Commemorative Porcelain" series commissioned by the Nationalist Government in 1947, created specifically as gifts for political leaders from allied nations in commemoration of China's victory in WWII. After the victory in 1945, China's international standing reached unprecedented heights, prompting the government to showcase its national elegance and to strengthen diplomatic ties. In August 1946, Chiang Kai-shek summoned Wang Fan, principal of the Jiangxi Provincial Ceramic School, to instruct Jingdezhen to produce commemorative porcelain for gifting to Allied leaders. This project became known as the "Victory Commemorative Porcelain" or "Nationalist Diplomatic Porcelain." Chiang's specific instructions were detailed in a dispatch published on the 25th in The Republic Daily: "The Chairman values the renowned porcelain of Jingdezhen (Central News Agency, Kuling, 24th) and instructed that the former imperial kilns of Jingdezhen be converted to national porcelain kilns. Chairman Chiang, concerned for the status of the porcelain industry, stated that the country should, in this time of victory, distribute fine porcelain to Allied nations as a tribute. These pieces must emulate the style of Qianlong-era works, with thin porcelain and refined colors. Chairman Chiang directed Principal Wang to expedite arrangements with the Jiangxi government to initiate the project." The pieces had to match the elegance of Qianlong's imperial ceramics, intended to showcase Jingdezhen's craftsmanship to the world.

This commission was highly prioritized by the Jiangxi government, which appointed dedicated designers and craftsmen, including renowned ceramic master Peng Youxian. Six types of porcelain were finalized: 30 bat-ear flasks, 10 shield-handle vases, 60 wall plaques, 400 peach bowls, four sets of banquet wares, and two "Victory" tableware sets. The shield-handle vase, designed by the Provincial Ceramic School, was particularly rare, with only ten pieces made. Known also as the "Victory Cup," its form was inspired by Tang dynasty phoenix-head vases and Western trophies, symbolizing the celebration of China's triumph. Given its rarity, meticulous craftsmanship, and historical significance, this piece stands as a pinnacle of Republic-era porcelain.

Comparable example:
A Pair of its kind: Poly Beijing, Autumn Auction 2011, "Imperial Art and Important Ceramics and Works of Art" , lot 5157, (Sold 6,210,000 RMB)
https://auction.artron.net/paimai-art5011655157

Provenance:
Lot 8327, Bonhams' San Francisco, 24 June 2014
Important Private Collection, Melbourne
民國 蔣介石定製金地粉彩開光四季山水雙耳瓶

此瓶造型尊貴秀麗,雙耳精巧別緻,附於口沿與肩部之間。整器裝飾極其繁複華麗,色彩豐富,予人以乾隆御瓷重現之感。瓶腹以本金為地,繪製對稱洋花,金碧輝煌。四面設有海棠形開光,內繪漁樵耕讀圖、杏林春燕、松鶴延年等吉祥圖案,工藝精緻,色調雅致清麗,既具文人雅韻,又呈祥禽瑞意,展現出濃厚的中國傳統文化意蘊。底部紅彩篆書「中華民國三十六年」款,並鈐有「中正」紅章,篆書古樸精妙。胎體堅密細膩,釉質瑩潤,堪稱瓷中佳品。
此件為1947年國民政府訂製的「抗戰勝利紀念瓷」之一,專為饋贈盟國政要而製,意義非凡。1945年抗戰勝利後,中國的國際地位空前提升,為彰顯大國風範,加強國際交往,次年8月蔣介石在廬山召見江西省陶業學校校長汪璠,指示景德鎮燒造抗戰勝利紀念瓷,以贈送盟國首腦。蔣介石在指示中特別要求此批瓷器仿乾隆御瓷風格,瓷質要細薄,色調須高雅,以展示乾隆盛世瓷藝水平。
江西省政府對此事高度重視,成立勝利瓷委員會負責設計與生產,並由知名陶瓷工藝大師彭友賢等人參與設計,收集歷代瓷器樣式及圖案,最終定型六種瓷器:蝠耳斛桶瓶30件、雙耳盾式瓶10件、掛盤60件、壽桃碗400件、萬花餐具4套、勝利餐具2套。民國三十六年三月起,禮品瓷開始製作,各瓷種分別由陶校及景德鎮各大窯廠製作,白胎加彩工序則由陶校師生精工繪製,歷經數月完成,耗費黃金甚巨,成品更勝設計之美,蔣介石對此非常滿意。之後,這批瓷器以國家或蔣氏夫婦名義分別贈送給美國總統杜魯門、特使馬歇爾以及英、法、蘇等國元首,受到海外讚譽,取得了顯著的外交成效。
此批「中正款」國禮瓷並未全部送予大國政要,部分保留於兩岸三地:台北中正紀念館藏有五件,其中包括雙耳盾式瓶;景德鎮陶瓷館與江西省博物館亦有幾件展示。此類國禮瓷中的雙耳盾式瓶為稀世珍品,僅存世十件,為創新器型,寓意慶祝抗戰勝利,是當時精心設計的代表作。

價格參考北京保利 ,宫廷艺术与重要瓷器工艺品, 2011年秋季拍卖。lot 5157 成交价 6,210,000 RMB

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