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A Chinese blue and white 'Zun' vase with dragon and phoenix design, Wanli mark and of the period
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09月04日 晚上8点 开拍 /33天23小时
拍品描述 翻译
H.: 21,2 cmProvenance:- S. Marchant and Son, London, with their label to the base.- The Mr. and Mrs. Baert-Devos Collection, Belgium. Acquired from the above on 11 October 2004 and accompanied by a copy of their original invoice. (see added scans)Exhibited and published:- S. Marchant and Son, London, included in their June 1997 exhibition of 'Seventeenth-Century Blue and White and Copper-Red and their Predecessors' and published in the accompanying catalogue, pp. 20-21, no. 9.- S. Marchant and Son, London, included in their 2004 exhibition of 'Ming Blue and White: Jiajing - Chongzhen. Including Datex Examples', and published in the accompanying catalogue, pp. 28-29, no. 18. Also illustrated in their 2025 publication 'One Hundred Years', vol. I, p. 458, fig. 843.The vase is modelled after an archaic bronze 'Zun', with a widely flared mouth, a gently waisted neck, a compressed globular body, a tall stem and a splayed foot. Four vertical flanges extend down the neck, body and foot, giving the vessel a strong and archaistic profile. The neck is painted in underglaze cobalt blue with peonies growing beside rockwork, their flowering branches enlivened by hovering bees. The body is decorated on opposite sides with a five-clawed dragon and a phoenix moving amid scrolling clouds. The stem is encircled by bands of scrolling flowers and cloud motifs, while the foot is defined by underglaze cobalt-blue line borders. The base bears a six-character 'Da Ming Wanli Nian Zhi' mark in underglaze cobalt-blue regular script within a double circle.The dragon and phoenix respectively symbolise the Emperor and Empress, while the peony conveys wishes for wealth, honour and prosperity. Together, these motifs form an auspicious decoration associated with imperial dignity and good fortune. The cobalt blue is applied in varied tones, lending vitality to the dragon and phoenix and richness to the luxuriant peony foliage, while the archaistic form complements the courtly symbolism of the design.Reference:- An identical example from the John Gardner Coolidge Collection is in the Museum of Fine Arts, Boston, USA, accession number 46.490. - Another near-identical example is in the Beijing Palace Museum, object number 00144808. - For another identical example in the Qing Court Collection, see 'Blue and White Porcelain with Underglazed Red (II), The Complete Collection of Treasures of the Palace Museum', p. 182, no. 112.- Another is illustrated by Wang Qing-Zheng, 'Underglaze Blue and Red in the Shanghai Museum', plate 65.- For a closely comparable example, see Bonhams in their 2021 loan exhibition 'Reginald and Lena Palmer, their Collection, and the Oriental Ceramic Society, 1921-1970', item 4.

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