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A BAULE WOOD FEMALE FIGURE, BLOLO BLA, MID-20TH CENTURY
奥地利
09月11日 晚上8点 开拍 / 09月09日 下午3点 截止委托
拍品描述 翻译
A BAULE WOOD FEMALE FIGURE, BLOLO BLA, MID-20TH CENTURY This lot is from a single owner collection and is therefore offered without reserve Ivory Coast. The figure is carved standing atop a circular base, the hands folded across the abdomen, which is centered by a protruding navel. She displays prominent breasts and an outsized head with closed eyes set above full lips, all surmounted by a neatly arranged coiffure. The face, neck, chest, and belly are marked with scarification patterns. Provenance: Professor Gert Chesi, acquired circa 1990-2015 for the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, and subsequently de-accessed. Gert Chesi (b. 1940) is an Austrian photographer, author, and art collector. In 1995, Chesi founded the Museum der V?lker (formerly Haus der V?lker, Museum für Kunst und Ethnographie), Schwaz, Tyrol, Austria, a museum of art and ethnography whose collection consists mainly of objects acquired during Chesi’s travels through Africa and Asia, most of which were assembled in the 1990s and early 2000s. He also authored several books on African voodoo and magic rituals, including ‘Voodoo. Afrikas geheime Macht’ (1987) and ‘Die letzten Afrikaner’ (1977). Condition: Good condition with expected wear and manufacturing irregularities. Tiny nicks, small chips, few cracks, traces of insect activity, and light surface scratches. Weight: 955 g Dimensions: Height 54.5 cm This finely carved female figure was likely commissioned by a Baule man as the representation of his blolo bla, or otherworld spouse, following the guidance of a diviner who determined that the difficulties he faced in life stemmed from the jealousy of this neglected spiritual partner. Such figures were kept for private consultation and veneration, serving as intermediaries through which harmony and balance could be restored. In creating her, the sculptor sought to embody both her identity and the aesthetic qualities that would please her. With its classical designs and the great beauty of its creations, Baule art has captivated connoisseurs the world over. The Baule statuary is one of the art forms from Africa that is most highly regarded by Westerners; very early on, they started collecting remarkable exemplars. It was easily introduced on the Parisian market, due to the strong attraction it exerted on modern artists. Paul Guillaume also opted to highlight it when he showed eighteen pieces from Gabon and C?te d'Ivoire drawn from his own collection at 291 - Alfred Stieglitz' art gallery in New York. As a result, among the host of diverse productions from this, the greatest people of Cote d'Ivoire, sculptures are, by far, the most abundant in the museums. Literature comparison: Compare a closely related Baule wood female figure, , dated mid-20th century, 43.1 cm high, in the National Museum of African Art, Smithsonian Institution, object number 2000-26-1. Auction result comparison: Type: Related Auction: Sotheby’s New York, 30 June 2020, lot 7 Price: USD 23,750 or approx. EUR 25,500 converted and adjusted for inflation at the time of writing Description: A Baule female figure, C?te d'Ivoire Expert remark: Compare the similar pose, hair, and incised decoration. Note the size (47.6 cm).

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