Description: 款識:己未歲暮,山左喻仲林寫於麗水精舍。 鈐印:喻仲林(朱文)、恨不十年讀書(朱文) Signed YU CHUNG-LIN in Chinese With two seals of the artist 全圖屬喻氏寫意之作,與其工筆作品不同,以寫作細,快筆下紅雀一現,沒骨點染蚰松盤結,其松枝盤錯彎轉,松針如氈球的蓬勃張力以淡墨做底暈染擴散,凸顯畫作存於空間的力度,畫中紅雀抬頭張望,睛目凝望著遠方,順其眼眸的方向望去,似已延伸至畫外的一片境地,不論是紅雀、蚰松抑或是雀鳥望去的方向,無疑在視覺上呈現出一個存於虛實間的三角構圖,以宋代文人畫中的留白,若《易經》裡所敘,畫中之氣,充乎沛乎,在運轉著,迴旋著,不可隨意旁泄。然而在此處的留白更似是與畫作外的一種相呼應,此作繪於1979年末之時,山澗淙淙,雀鳥啼聲,氣絲之生動倘若文人之脫俗,靜待來年之許。 Depicted in broad brushwork, this painting comes in contrast with Yu's Gongbi paintings. The red bird was painted in quick brushstrokes and pine leaves were portrayed using light ink. The red bird's determined gaze into the distance offers a new scene outside the frame, creating a virtual three-point structure in the painting. Blank space in literati paintings of Song dynasty often echoes with the laws in the Book of Changes, where all elements are independent yet interconnected. Painted at the end of 1979, the painting depicted an austere joy of a Chinese scholar, through listening to the sound of running stream and the chipping sound of birds.