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A rare Imperial Beijing-enamel 'European subject' box and cover Blue-enamelled Qianlong four-character mark and of the period (2)
香港 北京时间
2019年11月26日 开拍 / 2019年11月26日 截止委托
拍品描述 翻译
A rare Imperial Beijing-enamel 'European subject' box and cover Blue-enamelled Qianlong four-character mark and of the periodExquisitely enamelled in delicate and vivid tones with a central medallion enclosing a scene of mother and children, featuring a Western lady breastfeeding a baby while the other child leaning towards her back, surrounded by a leafy floral border on a bright yellow ground encircling interlinking Rococo-style leafy scrolls on the sloping sides of the box and cover, the interior enamelled in turquoise. 5.8cm (2 1/4in) diam. (2). 注脚 清乾隆 銅胎畫琺瑯開光人物蓋盒 藍彩「乾隆年製」楷書款Provenance: A European private collection來源:歐洲私人收藏The present lot in its exquisite European subject decoration is a culmination of European inspiration by the Imperial Workshops, bearing witness to the East-West cultural exchange and the imperial court's fascination of Western exoticism. This fascination with the west (mirrored in the west by the fashion for Chinoiserie) was most evident in the architecture of the Xiyang Lou within the Yuanmingyuan, but also manifested itself in works of art in various mediums including, porcelain, painted-enamel, cloisonné-enamel, lacquer wares and clocks, many of which are preserved in the imperial collections in the Palace Museum, Beijing and the National Palace Museum, Taipei. The usage of materials and techniques all reached new heights of skill and design during the Qianlong reign. Painted enamel, first introduced during the Kangxi reign by foreign missionaries, became a defining art form of the Qianlong style, in quality, innovation and unsurpassed opulence. Compare with related examples of painted enamel boxes and covers, Qianlong marks and of the period, also applying a related composition of a Western scene encircled by Chinese elements, from the National Palace Museum, Taipei, illustrated by Shi Jingfei, Radiant Luminance: The Painted Enamelware of the Qing Imperial Court, Taipei, 2012, pls.93, 94 and 104; see also two related examples of painted enamel boxes and covers of similar shape, Qianlong marks and period, illustrated in Compendium of Collections in the Palace Museum. Enamels 5. Painted Enamels in the Qing Dynasty, Beijing, 2011, nos.102 and 103. See also a very rare Imperial-tribute painted enamel 'European subject' oval snuff box and cover, Qianlong mark and period, which was sold at Bonhams Hong Kong, 4 June 2015, lot 13.銅胎,蓋隆頂,畫心繪歐洲婦女坦胸哺子圖,背景繪歐洲庭院,畫心之外繪咖啡地莨苕攢邊,其下繪黃地纏枝花卉一周,蓋身花卉圖樣與此相反,口沿露銅胎鎏金,圈足外撇,施藍綠彩漸變釉,足圈銅鎏金,底部施白釉,中書方框宋體「乾隆年製」款。此件蓋盒乃中西結合的典範,其中可見西洋題材與清宮造辦處的有機結合,見證了東西方文化交換,以及清宮對外洋奇巧的擁簇。對西洋奇藝的慕好最直觀的例子當屬圓明園中的西洋樓,兩岸故宮所藏的瓷、玉、漆、琺瑯等材質的工藝品多有表現。乾隆朝的工匠掌握西洋題材和技藝日臻成熟。畫琺瑯由康熙年間的傳教士傳來中土,至乾隆朝成為極具代表性的宮廷藝術。參考數件台北故宮藏畫琺瑯盒,畫心皆為西洋風景,環繞中式紋樣,見施靜菲著,《日月光華: 清宮畫琺瑯》,台北,2012,圖版93、94及104。亦可參考兩件北京故宮藏兩件相關的清乾隆畫琺瑯開光花鳥紋圓盒,形制款式盒和本件拍品類似,見《故宮博物院藏品大系琺瑯器編5清畫琺瑯》,北京,2011年,編號102及103。香港邦瀚斯2015年6月4日售出一件乾隆畫琺瑯鼻煙壺亦資參考,拍品13號。

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拍品估价:300,000 - 500,000 港币 起拍价格:300,000 港币  买家佣金:
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