| 中文版 English
书画 陶瓷 玉石 佛造像/唐卡 金属器 家具 漆器 竹木牙角 紫砂 鼻烟壶 钱币邮品 名酒 奢侈品 其它
Calendar
Today
< >

具体要求

其它要求

-
关闭
全球拍卖首页 > Christie's > 重要中國瓷器及工藝精品 > Lot 1542
十七/十八世紀　銅鎏金觀音坐像
美国 北京时间
2020年09月25日 开拍 / 2020年09月23日 截止委托
上一件 下一件
拍品描述 翻译
14 7/8 in. (37.8 cm.) high Robert H. Ellsworth, New York, no. SC101, by 1984.
Galaxie Art & Gift Company, Hong Kong, 1988.
The Irving Collection, New York. The iconography of this gilt-bronze figure of Guanyin is extremely unusual and intriguing. The stylization of the drapery and the double lotus base are characteristic of gilt-bronze figures of the early- to mid-Qing, 17th-18th century, such as the gilt-bronze figure of Buddha Dipankara, dated by inscription to 1662, in the collection of the Museum of Art, Rhode Island School of Design (accession no. 1989.110.62; illustrated by D. P. Leidy, D. Strahan, et al., Wisdom Embodied, Chinese Buddhist Sculpture in the Metropolitan Museum of Art, New York, 2010, p. 23). (Fig. 1) The head, however, with its elaborate, tall coiffure and twisted cords of hair falling in loops behind the pendulous ears, is based on that of a distinctive group of figures produced for the Duan royal family of the kingdom of Dali (AD 937–1253), an independent state in southwestern China that was coeval with China’s Song dynasty (AD 907–1279) and more or less congruent with present-day Yunnan province. See, for example, the 12th-century, Dali Kingdom figure of this type in The Metropolitan Museum of Art, illustrated ibid., pp. 136-38, and another example, also from the collection of Florence and Herbert Irving, sold at Christie’s New York, 20 March 2019, lot 813. (Fig. 2) These Dali Kingdom figures, which feature images of seated Buddha Amitabha at the base of the high topknot of hair, are identified as Acuoye Guanyin, a manifestation of the Bodhisattva Avalokiteshvara, and are thought to have been made as icons for members of the ruling Duan Family signifying their legitimacy to rule. Images of Acuoye Guanyin do not appear to continue beyond the 12th to early 13th century. Following the invasion by the Mongols in 1253, the members of the Duan royal family were enfeoffed by Kublai Khan and served as vassals to the Mongols until the Ming conquest of Yunnan in 1381. By the Qing dynasty (1644-1911), the geographical area of the ancient Dali Kingdom was under the control of Beijing. As a newly established dynasty, the Qing, who were themselves Manchus and not of Han Chinese descent, relied on the discipline and support of other foreign ethnic groups for their dominance of China proper. In the pursuit of this goal, the Manchus propagated and heavily patronized Tibetan-style Buddhism, which appealed directly to the peoples of Tibet and Mongolia, and many gilt-bronze figures attest to the adoption of Tibetan-style Buddhism at the Qing Court. Tibetan-style Buddhism also appears to have found at least some favor in Yunnan, as evidenced by an unpublished gilt-bronze figure of Amitayus dated to the 18th century in the Potala Palace, Tibet, which is inscribed Lijiang tu si zao (Made for the Chiefdom of Lijiang), Lijiang being a city in northwest Yunnan.While the present figure appears to possibly be unique in its combination of Dali-Kingdom imagery and early- to mid-Qing, Tibeto-Chinese Buddhist style, two further gilt-bronze figures of Acuoye Guanyin dating to the 17th-18th century -- one dated to the Qianlong period, from the collection of the Palace Museum, Beijing, now in the Luoyang Museum, and the very similar figure in the Museum of Art, Rhode Island School of Design (accession no. 18.266), dated 10th-13th century or later, but likely contemporaneous with the Beijing Palace example -- speak to a revival of this particular Buddhist deity in the early Qing period. (Fig. 3) Both of these figures depict Acouye Guanyin seated in rajalilasana (royal ease) wearing a jeweled necklace and arm bands and a dhoti secured by a knotted sash, in keeping with the style of the 10th-13th century prototypes. The interest in the arts of the past during the early Qing period is well known in many categories of Chinese art, including the area of Buddhist sculpture. For another example of such archaism in Buddhist sculpture, see the 7th-8th century Kashmiri bronze figure of Buddha in the Qing Court Collection, illustrated in Classics of the Forbidden City: Tibetan Buddhist Sculptures, Beijing, 2009, p. 118, no. 53, and an almost identical 18th-century Chinese imitation of the same work, illustrated ibid., p. 128, no. 63.

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
100
50
500
100
1,000
200
2,000
250
5,000
500
10,000
1,000
20,000
2,000
50,000
5,000
100,000
10,000
+

价格信息

拍品估价：60,000 - 80,000 美元 起拍价格：无  买家佣金：
落槌价 佣金比率
0 - 150,000 25.00%
150,000 - 3,000,000 20.00%
3,000,000 - 以上 12.00%
服务费：平台服务费为成交总金额（含佣金）的3%

拍卖公司

Christie's
Christie's
地址： 20 Rockefeller Plaza New York
邮编： NY 10020
向卖家提问

小贴士

1. 一般拍卖公司接受的付款方式有以下几种：
现金、信用卡、转账汇款、银行支票、个人支票以及PayPal支付。
使用PayPal支付时，请留意需要在账单金额的基础上额外加上 4% 的手续费。
2. 信用卡的种类有以下几种：
3. 转账汇款时请注意银行手续费
海外拍企会要求足额到账，所以请您在汇款时，选择足额到账，或在汇款金额的基础上加上汇款手续费（如25美金）。
4. 国际转账汇款时， 您需要知道海外拍卖行以下汇款信息：
* 收款人名称
* 收款人地址
* 收款人银行账号
* 收款银行国际编码（8位字母数字组合，必填项， 如： BFKKAT2K）
* 收款银行清算码（9位数字组合，选填项）
* 收款银行名称
* 收款银行地址
5. 运输相关事项
有的海外拍卖行会替您安排和协调运输， 您只需要支付相关的运费及保险费（如您需要）即可；有的海外拍卖行会推荐几家长期合作的运输公司， 这些运输公司有着良好的信誉和高质量的工作效率，您大可放心。您只需要提供您的收货地址， 竞得拍品账单。 运输公司会根据您提供的信息给您报价， 您可以在其中选择最优的报价者来承担运输任务。然后就是付款了， 信用卡是最常用的支付手段， 当然还有其他像PayPal，转账等。
6. 进口通关可能出现的关税
国际运送的包裹在进口清关过程中如需支付关税，需由包裹接受人（即买家）自行承担。 征收标准：具体征收标准和额度以海关通知和解释为准。
7. 禁拍拍品
海外拍卖会可能会出现中国法律禁止交易的物品，如枪支、管制刀具、象牙、犀角等；中国买家不得通过本平台参与上述物品的拍卖活动；任何情形下，买家均须对自己的竞拍行为独立承担责任。
服务热线：400-608-1178
查看全部小贴士