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全球拍卖首页 > Bonhams HK > 中国古董及乐器 > Lot 32
Pu Ru (1896-1963) Mountains, cyclically dated Jisi year, corresponding to 1929 and of the period
香港 北京时间
2020年12月01日 开拍 / 2020年11月29日 截止委托
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Pu Ru (1896-1963) Mountains, cyclically dated Jisi year, corresponding to 1929 and of the periodFolding fan, ink and colour on gold-flecked paper, inscribed and signed Pu Ru, with a dedication and three seals of the artist, the reverse inscribed and signed Xinyu, with the same dedication and three seals of the artist. 52.6cm (20 3/4in) across. 注脚 溥儒　秋江詩意、行書五言詩　設色、水墨灑金紙本　成扇　一九二九年作款識：雨過瀟湘霽色開，沙明天凈片雲回。蘆中人去秋江冷，野水蕭蕭鳬雁來。己巳（1929）夏六月，畫〈秋江詩意〉以應子惠六兄教，溥儒。（另面）結茅傍幽壑，入門生遠情。千峰霽秋雨，孤館有餘清。灌木滋新綠，奇花表獨榮。駕言采蕨薇，晨夕空山行。萬木轉幽谷，連山上寒日。晨風吹天雲，微茫眾峰出。蒼蒼上方麓，渺渺徵禽疾。盤盤望摘星，沉沉見兜率。暮色蔽丹林，鳴鐘發奧室。避觀范陽野，曠莽秋蕭瑟。上方昔名六聘山，晉霍原隱處。子惠六兄兩正，心畬。鈐印：溥儒、玉壺、長毋相忘、溥儒之印、省心齋、心畬書畫Provenance:A Californian private collection, USA, and thence by descent來源：美國加州私人收藏，後由家族繼承From 1919, Pu Ru lived in Jietai Temple, Xishan, in the western suburbs of Beijing for over ten years. During this period of seclusion, he finished chorographies of Shanfang Mountain, Baidai Mountain and Jietai Mountain after a vast survey of local documents. He published the Shangfang shan zhi (Chorography of Shangfang), for which Luo Zhenyu (1866-1940) wrote the preface in 1930. Shangfang Mountain is a branch of the Dafang Mountain, with an altitude of 880 meters above sea level. The steep mountain covered by giant pines and cypresses was known by the name of 'Nine Caves and Twelve Peaks' and had a close relationship with the family of Pu Ru. This choreography also records poems written by Prince Gong (Yixin, 1833-1898) and Pu Ru's brothers. The long poem on this fan was probably finished by the artist during his days in Jietai Mountain. He inscribed it Zihui liuxiong liangzheng, literally 'for Mr Zihui's comment again', which suggests that this poem might have been inscribed later than the painting on the other side, as Zihui requested him to inscribe this poem some time after he painted the front of the fan. The bamboo frame, shangu, is superbly carved with a scene of Boya Ziqi, a classic story of Yu Boya and Zhong Ziqi who were two legendary characters known for their friendship starting from music. This story has many versions, while the main plot remains the same:Boya was an accomplished qin musician but thought no one could understand his music. He met a woodsman Zhong Ziqi. When Boya played music which he felt captured the essence of high mountains, Ziqi said: 'How lofty; like Mount Tai!'. When Boya played music which he felt captured the essence of flowing streams, Ziqi said: 'How vast! It is like a great river and the sea'. Whatever Boya was thinking (as he played), Zhong Ziqi visualised it clearly in his music. When Zhong Ziqi died, Boya broke his strings and never again played the qin, as he knew there would never be another person who could understand him and his music as deeply again. 1919年起，溥儒隱居於京西馬鞍山戒台寺十餘年。潛心學問期間，遍遊京西名跡，所到之處，收集、研究地方資料，經過整理，撰寫出《上方山志》、《白帶山志》、《戒台山志》。1930年，溥儒編輯的《上方山志》出版，扉頁由羅振玉題寫書名，釋自如「原序」，楊鐘羲（1865-1940）、清上方山兜率門清蓮池蓮舟撰「上方山志序」並溥儒自序。全書共分十卷，卷一山水田附，卷二儒釋，卷三考工，卷四碑碣，卷五物產，卷六藝文一記，卷七藝文二紀，卷八藝文三詩，卷九藝文四詩，卷十藝文五詩，書畫附，補遺詩。上方山乃大方山支脈，海拔八百八十米，山勢陡峭，古柏蒼鬱，有九洞十二峰名勝及以兜率寺為中心的十二茅庵等古蹟。《上方山志》對此有詳細介紹，書中還輯錄恭親王奕訢及溥儒、溥傅二人所詠詩句。此扇書畫雙璧，扇骨亦佳。扇骨取玉竹為材，一面鏟地陽刻蘇子泛舟赤壁圖，圖分三段：上段雕山石樹木流雲煙霞；中段雕一舟子，舟中雕二人，一人方冠是為東坡；下段雕山石汀芷，鏟地之上再以極細陰線刻劃細部。另一面則以同樣技法雕高山流水圖，畫分兩段：上段雕樵夫鐘子期，歇柴扶石而坐；下段雕伯牙泛舟湖面，撫琴舟中，人物神態清和，刀法自然，略微留皮，又有明暗之變，所謂陰陽兼蓄。

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