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KANO SCHOOL (17th/18th century) Chinese court scenesEdo Period, 17th/18th century (2)
美国 北京时间
2021年09月22日 开拍 / 2021年09月20日 截止委托
拍品描述 翻译
Property from a San Francisco Bay Area trust KANO SCHOOL (17th/18th century) Chinese court scenesEdo Period, 17th/18th centuryA pair of six-panel screens lavishly painted in ink, colors, gold, and gold leaf on paper with silk brocade borders, the right screen with Shikoraicho (The Four Whiteheads Return to Court) as Emperor Xuanzong seated in a pavilion watches Yang Guifei perform a dance while the four scholars and their attendants cross a bridge approaching court, and a group of armored warriors on the attack; the left screen with Furyujin (Depictions of Elegant Battles), with the Emperor and his consort surrounded by their attendants watching court ladies fencing with flower bouquets as other courtiers look on from a distance 60 1/2 x 141in (152.4 x 358.1cm) (2). 注脚 The best-known example of this genre of screen painting in an American collection is a pair in the Freer Gallery of Art, Washington D.C., which features episodes from Bai Juyi's famous poem Changhenge (The Song of Everlasting Sorrow), relating the Emperor's disastrous infatuation with Yang Guifei, but for Furyujin, one of many scenes of life at the Tang-dynasty court depicted in seventeenth-century Japanese screen pairs, compare an example in the MOA Museum of Art, reproduced in Tsuji Nobuo and others, Nihon byobu-e shusei (A Compendium of Japanese Screen Painting), vol. 4, Jinbutsuga: Kanga-kei jinbutsu (Figure Painting: Figures in the Chinese Tradition), Tokyo, Kodansha, 1979, plate nos.77-78; the right-hand screen of the MOA pair depicts the Furyujin, which was described in detail by the painter Kano Ikkei (1599-1662), who states that these mock battles were staged in the Taiye Garden behind the Daming Palace at the Tang capital of Chang'an, see http://www.aisf.or.jp/~jaanus/deta/f/fuuryuujinzu.htm.While the left-hand of MOA pair shows Chokozu (Picture of the Butterfly of Happiness), one of the subjects in the present pair appears to be the Shikoraicho (The Four Whiteheads Return to Court), seen on the second and third panel from the right. The Four Whiteheads (who actually lived during the Han dynasty) are often referenced in Zen poetry of the Muromachi period (1333-1573), see Iwayama Taizo, Gozanshi ni okeru Yokihi zo (The Image of Yang Guifei in Zen Poetry), Kokubungaku kenkyu, 131, pp.47-58, and for a screen including the subject, see livingculture.lixil.com/information/ilm/post-66/.

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拍品估价:25,000 - 40,000 美元 起拍价格:25,000 美元  买家佣金:
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