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A rare early Kangxi period and marked vase with underglaze blue painting of eight immortals celebrating in a wonderland.
美国 北京时间
2015年09月30日 开拍
拍品描述 翻译
Dr. Lin 329. A rare early Kangxi period and marked vase with underglaze blue painting of eight immortals celebrating in a wonderland. This well-potted vase has a shape mimicking Yu Hu Chwen Ping of Yuan and early Ming, except without a trumpet like mouth. The thick and heavy body is made of fine grayish white clay that is common for quality late Ming porcelains. It has a very smooth transparent glaze that is thick and has a greenish tinge and a dozen very small dents, remnants of burst bubbles during firing and cooling (called zhon yien by Chinese collectors); these features are typical for early Kangxi porcelains. The underglaze blue is grayish blue, slightly diffusive and blurring, and appears to sink to the bottom of the glaze. These are characteristics of many early Kangxi cobalt blue pigments. The upper part of the neck forms a section that was luted to the main body, showing a ridge at the line of fusion. This section is decorated with a band of up-ward banana leaves. A saw-teeth like border band decorates neck just below the ridge. A similar band decorates the wall around the foot. Saw-tooth bands were a popular porcelain decoration during late Ming and early Qing. The brush painting on this vase is excellent. With artistic, robust and flowing strokes, each immortal has a different face and expression. Each assumes a different posture, dresses differently, and carries a different symbolic implement. The base and the foot are well-molded and pared, with the tip of foot rim polished into a curvature before firing. This shape of curved and polished foot rim became standard for most of Kangxi, Yongzheng, and Qianlong imperial porcelains. A typical underglaze blue reign mark is written in Kai Su (formal style) in two columns at the center of the outer base, surrounded by double circles. It is covered by thick greenish transparent glaze that mimic Song Yin Qin (shadow green) glaze, except the latter is usually coarser. The mark appears to sink to the bottom of the glaze, and is different from the marks on imitation Kangxi porcelains that appear to float close to the surface of the glaze. The mouth rim has two minute chips. (From Dr. Robert I-San Lin’s Collection of Important Chinese Arts,, H 25.3cm. 甚稀有的清康熙早期青花八仙喜慶圖玉壺春瓶. 器形工整、輪廓??輭圓轉、甚可愛. 胎泥極細潤、帶灰青色. 瓶壁稍厚重、有明朝瓷器厚重胎的餘韻. 切足甚工整而利落、內外兩胎釉界線淨潔、無鋸齒狀凹凸不平、顯示胎釉的緊密結合、是康熙良好材料與工藝的特徵. 近足端自釉到胎像一級台堦下降. 足頂端無釉、修磨得細滑、畧呈弧形、並稍有火石紅色、是典型康熙足的一種. 釉細潤光滑、稍厚而帶青、是康熙早期釉之一種. 青花稍暗而暈?、不飄浮、是典型康熙早期青花之一. 最可愛的是八仙喜慶的場面繪得熱鬧逼真而傳神. 歷代瓷中只有康熙青花畫師有如此高的本事. 仙人騰空駕雲過海、各持法寶、各顯身手. 體態各異、衣袍美服各個不同. 有的解帶半脫長袍、兩襟及寬袖隨風飄揚、有的收緊衣帶只露頭與雙手、謹嚴有餘、如同參與大典禮. 最妙的是每位仙人都有不同的面貌及表情. 仙人張果老衣履端整、戴宋朝高冠、手持魚鼓、昂首遠眺、威風凜凜. 仙呂洞賓背寶劍、雙眼向前凝視、甚警覺. 仙漢鈡離手持大橢圓形羽扇、寬衣解帶、露出財富的大腹. 仙韓湘子背一花篮、髪後披、面貌清秀、是唯無鬍鬚的男仙人. 仙李鐵拐背一大葫蘆、赤足靜坐而深思. 何仙姑面貌秀丽、體態??弱修長、右手持一傘、亭亭玉立. 女仙藍採和髮髻束花、穿袖有繡錦的華麗衣袍、髙立雲端吹笛. 仙曹國舅衣冠整斉而手持陰陽板、畧向前彎身、似王公大臣上朝聽令. 天上仙山及海上仙島則以簡筆寫意方式繪出、這是明末、十七 世紀的很特殊的畫法. 從那時開始八仙過海成為清朝官窯常見的紋飾. 外底書"大清康熙年製"二行青花楷款、外雙圈、筆划流暢有力、為典型康中早期款之一. 此瓶與宋元明的典型玉壺春瓶稍不同、此瓶沒外撇的寬口沿. 是稀有的康熙早年的精

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拍品估价:15,000 - 30,000 美元 起拍价格:3,000 美元  买家佣金: 18.00% 服务费:本专场服务费按成交价(含佣金)的1.5%收取,最低200元

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