| 中文版 English

具体要求

其它要求

-
关闭
A PAIR OF GEORGE II PARCEL-GILT AND WHITE-PAINTED PEDESTALS CIRCA 1740, IN THE MANNER OF WILLIAM KENT
美国 北京时间
2022年10月22日 开拍 / 2022年10月20日 截止委托
拍品描述 翻译
A PAIR OF GEORGE II PARCEL-GILT AND WHITE-PAINTED PEDESTALS
CIRCA 1740, IN THE MANNER OF WILLIAM KENT
Each with square top above a waisted acanthus-carved socle on a paneled square tapering column carved on three sides with a lion's mask suspending a ring and a ribbon-tied fruiting foliate trail, on four paneled scrolled feet carved with stiff leaves, formerly white and pale-green painted and redecorated, now with later lacquered brass candlesticks, printed and inscribed Ann and Gordon Getty Collection inventory label
The pedestals: 57 1/2 in. (146 cm.) high, 16 1/4 in. (41 cm.) square

A PAIR OF GEORGE II PARCEL-GILT AND WHITE-PAINTED PEDESTALS CIRCA 1740, IN THE MANNER OF WILLIAM KENT Each with square top above a waisted acanthus-carved socle on a paneled square tapering column carved on three sides with a lion's mask suspending a ring and a ribbon-tied fruiting foliate trail, on four paneled scrolled feet carved with stiff leaves, formerly white and pale-green painted and redecorated, now with later lacquered brass candlesticks, printed and inscribed Ann and Gordon Getty Collection inventory label The pedestals: 57 1/2 in. (146 cm.) high, 16 1/4 in. (41 cm.) square Possibly supplied to James, 8th Earl of Abercorn (1712-1789), for Duddingston House, Midlothian. The Property of a Nobleman; Christie's, London, 15 November 1990, lot 85. Acquired by Ann and Gordon Getty from the above. This Lot is transferred to Christie’s Redstone Post-Sale Facility in Long Island City after 5.00 pm on the last day of the sale. They will be available at Redstone on the following Monday. Property may be transferred at Christie’s discretion following the sale and we advise that you contact Purchaser Payments on +1 212 636 2495 to confirm your property’s location at any given time. This Lot is transferred to Christie’s Redstone Pos… Read more
Lot Essay These pedestals may have been made for a house built circa 1741-1745 or alternatively they may have been part of the furnishings of Duddingston House, Midlothian which was commissioned by James Hamilton, 8th Earl of Abercorn in 1760 and built by Sir William Chambers between 1763-1768. The classical villa, just outside Edinburgh, was commissioned as a summer house for entertaining with pleasure gardens laid out by Robert Robinson in the manner of Lancelot ‘Capability’ Brown, and completed at a cost of £30,000. After Lord Abercorn’s death in 1789 the estate passed to his heirs and was subsequently let. The stands can be related to a group of Kentian mask-headed pedestals dating from the 1730s and 1740s of which there are examples at Hampton Court Palace, Chatsworth and Longford Castle (R. Edwards & P. Macquoid, The Dictionary of English Furniture, rev. ed., 1954, vol. III, p. 159, fig. 1, 2 & 4) as well as in the Victoria and Albert Museum [W47-1962] and a pair supplied to William, 2nd Earl of Harrington (d. 1799) for Elvaston Castle, Derbyshire (sold most recently from the di Portanova Collection, Christie’s, New York, 20 October 2000, lot 92, $143,500).This group has traditionally been attributed to Benjamin Goodison – and indeed Goodison's delivery of the pair of George II Ionic-capped 'nymph' pedestals to Hampton Court under the direction of William Kent in 1732-1733 (ibid, fig. 1), which display the same foliate-carved spreading S-scroll base as the Getty pedestals, would suggest his authorship. Benjamin Goodison (d. 1767) had premises at the 'Golden Spread Eagle', Long Acre, London, and was probably apprenticed to James Moore by 1719 – on 7 September 1719 he signed for money for ‘my master’ James Moore from the Duchess of Marlborough (BIFMO, Accessed 20 July 2022). As Moore had succeeded his former master John Gumley, so Goodison succeeded Moore in royal service in 1726-27, and is referenced in accounts initially in 1729, followed by more regularly from 1737, whence he received payments from the Great Wardrobe along with Kent and others (G. Beard and C. Gilbert, eds., The Dictionary of English Furniture Makers 1600-1840, Leeds, 1986, pp. 351-352). Goodison’s accounts submitted indicate the great range of work he was able to undertake – from cabinetwork to carving and from candlesticks to mirrors, in a variety of different materials. During his career Goodison supplied furniture not only to the Royal Palaces, but also to illustrious private houses such as Holkham, Althorp, Longford Castle, Deene Park and Alnwick Castle, as well as to Sarah, Duchess of Marlborough for her London residence and to John, 2nd Duke of Montagu, for his London residence. Whilst the attribution of many ‘Kentian’ pedestals is firm in many cases, research by Treve Rosoman on the Chatsworth pedestals showed that they were supplied by John Boson to Lady Burlington at Chiswick in 1735, together with other furniture discussed by Rosoman (‘The Original Interior Decoration of Chiswick House’, Burlington Magazine, October 1985, pp. 663-677). Accounts at Chatsworth show that Lady Burlington paid John Boson £43.4s for the stands, circa 1735. The Getty pedestals, with the neoclassical treatment of their Palladian 'therm' pilaster form, display a shift in design to a more architectural form away from the figural ‘herm’ pedestals at Hampton Court, Chatsworth and Longford Castle, which featured busts – putti, male and female – supporting stepped platforms. These stands reflect the influence of contemporary architectural designs such as one for a related chimneypiece jamb published by T. Lightoler in The Modern Builders Assistant in 1742, pl. 65. A closely related set of six pedestals are at Aske Hall, Yorkshire (A. Coleridge, ‘Some Rococo Cabinet-Makers and Sir Lawrence Dundas’, Apollo, September 1967, p. 222, fig. 12). Like the Getty pair, the tops are supported by carved foliate ‘vases’ above waisted square paneled socles above tapering paneled columns and with foliate-carved S-scroll feet, the only significant difference being that the ribbon-tied trailing foliage adorning three sides of the column issues from a foliate roundel as opposed to a ring-bearing lion’s mask and the lack of carving to the base of the column. It is probable that the Getty pedestals would have originally had marble tops, as the Aske pedestals do to this day.

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
100
50
500
100
1,000
200
2,000
250
5,000
500
10,000
1,000
20,000
2,000
50,000
5,000
100,000
10,000
+

价格信息

拍品估价:40,000 - 60,000 美元 起拍价格:40,000 美元  买家佣金:
落槌价 佣金比率
0 - 1,000,000 26.00% + VAT
1,000,000 - 6,000,000 20.00% + VAT
6,000,000 - 以上 14.50% + VAT
服务费:平台服务费为成交总金额(含佣金)的3%

拍卖公司

Christie's
地址: 20 Rockefeller Plaza New York
邮编: NY 10020
向卖家提问

小贴士

1. 一般拍卖公司接受的付款方式有以下几种:
现金、信用卡、转账汇款、银行支票、个人支票以及PayPal支付。
使用PayPal支付时,请留意需要在账单金额的基础上额外加上 4% 的手续费。
2. 信用卡的种类有以下几种:
3. 转账汇款时请注意银行手续费
海外拍企会要求足额到账,所以请您在汇款时,选择足额到账,或在汇款金额的基础上加上汇款手续费(如25美金)。
4. 国际转账汇款时, 您需要知道海外拍卖行以下汇款信息:
* 收款人名称
* 收款人地址
* 收款人银行账号
* 收款银行国际编码(8位字母数字组合,必填项, 如: BFKKAT2K)
* 收款银行清算码(9位数字组合,选填项)
* 收款银行名称
* 收款银行地址
5. 运输相关事项
有的海外拍卖行会替您安排和协调运输, 您只需要支付相关的运费及保险费(如您需要)即可;有的海外拍卖行会推荐几家长期合作的运输公司, 这些运输公司有着良好的信誉和高质量的工作效率,您大可放心。您只需要提供您的收货地址, 竞得拍品账单。 运输公司会根据您提供的信息给您报价, 您可以在其中选择最优的报价者来承担运输任务。然后就是付款了, 信用卡是最常用的支付手段, 当然还有其他像PayPal,转账等。
6. 进口通关可能出现的关税
国际运送的包裹在进口清关过程中如需支付关税,需由包裹接受人(即买家)自行承担。 征收标准:具体征收标准和额度以海关通知和解释为准。
7. 禁拍拍品
海外拍卖会可能会出现中国法律禁止交易的物品,如枪支、管制刀具、象牙、犀角等;中国买家不得通过本平台参与上述物品的拍卖活动;任何情形下,买家均须对自己的竞拍行为独立承担责任。
服务热线:400-608-1178
查看全部小贴士